Support our Patreon: www.patreon.com/thepinksmoke All good things must come to an end. Hosts John Cribbs and Christopher Funderburg are joined by Marcus Pinn to discuss their memories of attending the Toronto International Film Festival over the course of twenty years. This set of personal reminiscences is not necessarily intended for general audiences; this is the deepest of Pink Smoke deep cuts. Their thoughts on two decades of cinema and one of the premiere international film festivals are intertwined with a discussion of poutine, junk shops selling rare novelizations, the Brass Rail and how much fun it is to bust Pinn’s chops over his love of To The Wonder. They talk their favorite films they saw at the festival, their most memorable experiences, the changes to the festival throughout the years, the best years, the worst years, food poisoning, Andrew Wilson, Sportos in Batavia New York, crank-call party mix-tapes and, of course, the Eagles’ sudden and unexpected transition from the Kevin Kolb era to the Michael Vick era. A tribute to one of the most important film festivals in the world and the trio’s time spent there. The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Support our Patreon: www.patreon.com/thepinksmoke John Cribbs & Christopher Funderburg are back with their rundown of the 2024 Toronto International Film Festival! From the highest highs (Hard Truths) to the lowest lows (It Doesn’t Get Any Better than This) and the poutine in between, they take a look at the state of cinema as explicated by one of the world’s premiere film festivals. They discuss new works by Kiyoshi Kurosawa, Mike Leigh, Mike Flanagan, Tomas Alfredson, Thomas Vinterberg, Ron Howard and so much more - they discuss not just the highlights, but every single goddamn film they saw on their final trip to the Queen City for the festival! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

All episodes are made available to Patreon subscribers, the most vioiently anti-Canadian and finestkind of all audiences, one week before their general release. Support our Patreon: www.patreon.com/thepinksmoke John Cribbs & Christopher Funderburg return to the Queen City for our 20th trip to the Toronto International Film Festival to watch all the best in the current world of le cinema. With a line-up brimming (filled to the brim) with possibility, we talk our must-see films, wildcards, and the ones we’re dreading. Included in this year’s slate are new works by Mike Leigh, Kiyoshi Kurosawa, Timo Tjahjanto, Pedro Almodovar, David Cronenberg, Thomas Vinterberg and more …choosing which titles among the 300+ entries to see is going to take guts. And brains. And human decency.  We introduce both the Possibility-o-meter and the Donnybrook-o-meter. Get psyched! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Host Martin Kessler is joined by Ally Pitts to discuss Thorold Dickinson's 1949 British fantasy-horror film, The Queen of Spades. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on X: twitter.com/MovieKessler The Pink Smoke on X: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

All episodes are made available to Patreon subscribers, the most pulchritudinous and buxom of all audiences, one week before their general release. Support our Patreon: https://www.patreon.com/thepinksmoke It's time to talk tits. We're joined by the peerless Wendy Mays to discuss softcore porn impresario Doris Wishman's breastacular Deadly Weapons, the story of Chesty Morgan hunting down a cadre of creeps and killing them with her massive 73 inch bazooms in a kind of brain-damaged, sleazy The Bride Wore Black knock-off. It. is. a. delight. 1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. The Pink Smoke site: www.thepinksmoke.com John Cribbs on X: x.com/TheLastMachine The Pink Smoke on X: x.com/thepinksmoke Christopher Funderburg on X: x.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

All episodes are made available to Patreon subscribers, the most secertive and sinister of all audiences, one week before their general release. {www.patreon.com/thepinksmoke} Continuing our episodes on Richard Stark's 24-book Parker series, we delve into the third book The Outfit, in which Stark (pen name for the legendary Donald E. Westlake) expands the violent world Parker to epic proportions and offers a smörgåsbord of heists (a metaphorical (not veritable) Swedish buffet of heists instead of pickled fish!) centering minor characters who would grow in importance as the series progressed. We also look in-depth at John Flynn's 1973 adaptation, possibly the most Parker-ish of all Parker adaptations. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

The Pink Smoke welcomes back fan favorite John Arminio for a companion episode to our epic 100 Years of Spy Movies two-parter from last year to discuss the 2018 mini-series The Little Drummer Girl, starring Florence Pugh and Michael Shannon, directed by Park Chan-wook. Adapted from the 1983 novel by John le Carré, it is like most of the famed author's work a taut and intricate web of postwar intrigue and espionage. Set in 1979, it follows the recruitment of an English actress by a seasoned Mossad spymaster to infiltrate a Palestinian bomb-maker's network in order to prevent a potential terrorist attack on London. John himself has recruited his father, Captain Tom Arminio USN Retired, to join host John Cribbs in crossing into the treacherous world of le Carré where morality, identity and personal values are routinely compromised. They discuss the relevance of this 40-year-old story, the culpability of those who choose not to take sides in international conflicts, and the fate of characters who suffer moral injury: having perpetrated, failed to prevent, or witnessed events that contradict deeply held moral beliefs. They also make fun of Diane Keaton's haircut from the little-loved 1984 film adaptation. link to the War Peace and Justice Project https://www.warpeacejustice.org/ Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. For William Mendoza of the Men on Film Podcast, 1974 is marked by the rise of Paul Morrissey from Warhol Factory's house filmmaker to international sexploitation auteur. Filmed in unison with his FLESH FOR FRANKENSTEIN, Morrissey's broad Stoker adaptation BLOOD FOR DRACULA casts Udo Kier as the sulky, shirtless count lurking around an Italian estate, hoping to seduce "wirgins" and consume their pure fluid in order to revitalize his strength. He's impeded by Joe Dallsandro playing a Marxist handyman and famed Italian Neorealist filmmaker Vittorio de Sica who's doing...something. Mendoza loves this movie even though he admits it's a "failure of Italian exploitation," "too artsy to be a horror movie, too stupid to be an art movie." Fascinatingly the whole thing plays out like a classic dirty joke or an 80's sex comedy. There's still plenty to love, and we have a great time breaking down the Morrissey magic which stems from good filmmaking collaborators and a plentiful cast of weirdos to exploit. It's a goofball discussion, with more than a little off-roading. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com William Mendoza on X: twitter.com/MovieKessler Men on Film podcast on X: twitter.com/menonfilmpod The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Host Martin Kessler welcomes film writer and curator Vanya Garraway to discuss the various film versions of J. M. Barrie's oft-adapted Peter Pan, from the 1924 silent film to last year's Peter Pan & Wendy. Giving their personal assessment of each movie, they dig into the history of the free-spirited boy who refuses to grow up, what makes it such an enduring tale and the sadness inherent in this story of pirates and fairies and a ticking crocodile. Along the way, Kessler and Garraway discuss which Captain Hooks are too sexy, why a Peter Pan story needs a Wendy and yes, they dig into the Tiger Lily issue. Tying Barrie's original work to the thematic concept of what nostalgia really means, they break down the highs and lows of each film adaptation to determine the value of a great story told over & over again. Vanya Garraway on Twitter: @nostalgiaphile @PaidInSweat Paid in Sweat https://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=841875~fc639be0-110c-4035-a588-842aceff5ef6&epguid=9416d3bf-ad16-479c-9d40-f0abda7cb4e9& Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on X: twitter.com/MovieKessler The Pink Smoke on X: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

All episodes are made available to Patreon subscribers, the most tender and sensitive of all audiences, one week before their general release. https://www.patreon.com/thepinksmoke We're joined by the great David Lambert to discuss one of the greatest Western subgenres, stories of cattle drives and the swarthy, sweaty men who oversee them! It's an overlooked subgenre despite the fact that from Red River to Lonesome Dove, some of the defining films of the Western genre are about the grueling world of cattle-men. When it comes epic Westerns about terse, determined men pushing themselves to the limit under the biggest skies imaginable, there's few subgenres as likely to deliver. Join hosts Christopher Funderburg and John Cribbs for a lively, comprehensive conversation that sets out to do justice to the suprising breadth of work found in "le cinema de cattle drive," as the French call it. And as always, there's no better guest with whom to discuss Westerns than the bottomlessly knowledgeable Mr. Lambert! This is an incredibly fun journey spanning decades of saddle adventures which make up the western equivalent of the road movie. Questions asked along the way include: Is cattle driving exclusive to men? Who would be your preferred trail boss: Monomaniacal John Wayne from Red River? Reformed gunman Billy Green Bush of The Culpepper Cattle Co.? Tough but fair Glenn Ford in Cowboy? Should anyone under any circumstance have to experience 1951's Vengeance Valley? Join us as we blaze this trail - keep your eyes open for rustlers and we'll meet you back at the chuckwagon. The Pink Smoke site: www.thepinksmoke.com David Lambert on X: twitter.com/DavidLambertArt The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. Anyone familiar with actor Marjoe Gortner's background as a child evangelist preacher (and his later milking of said image as depicted in the Oscar-winning 1972 documentary Marjoe) will know he often commanded his congregation to pray. But is there any prayer that could help the Wildcats? Anthony King - husband, father, beer leaguer, hockey player and film writer - is also a huge fan of Marjoe Gortner, and he's here to discuss the former minister's first full length film, Pray for the Wildcats, which debuted on ABC in January of 1974. A murderer's row of television personalities make up the titular squad: Mayberry's own Andy Griffith, Robert Reed of the Brady Bunch and William Shatner fresh off the USS Enterprise are joined by Marjoe on a dirtbike trip to the Baja California desert. Desperate to impress Griffith's sociopathic business exec, the three ad execs bring along plenty of personal baggage on a trip fraught with resentment and failure that ultimately ends in death. It's a terminally square yet truly strange and somewhat obscure TV movie that we're glad Anthony unearthed for us to survey. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Anthony King on X: x.com/akdonelly John Cribbs on X: x.com/TheLastMachine The Pink Smoke on X: x.com/thepinksmoke Christopher Funderburg on X: x.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

All episodes are made available to Patreon subscribers, the most determined and unsparing of all audiences, one week before their general release. {www.patreon.com/thepinksmoke} The Cannes Film Festival, May 1994. Two independent American crime films featuring guns, gangsters, torture, redemption, stylized artificial dialogue, quirky comedy, a cool soundtrack, a main character who dies and is resurrected and a criminal's kept woman with an Anna Karina haircut made their debut at the southern tip of France. One of them went on to conquer the world and become one of the most beloved and imitated films of the ensuing 30 years. The other faded into obscurity and is barely brought up three decades later. The films are Quentin Tarantino's Pulp Fiction and Hal Hartley's Amateur, and their divergent paths clearly shifted the cultural space of American independent cinema moving forward. We welcome back Pinnland Empire guru Marcus Pinn (like us, a teenage budding cinephile in the mid-90's) to talk about these two films, how they were shaped by the climate of late 80's/early 90's indie cinema, their impact and their legacy. Despite Hartley's deep meaningful contemplations proving no match for Tarantino's sheer exuberance, these are two films that were meaningful to all three of us, so we also get pretty heavily into some formative personal history and lament the slow death of a truly specific kind of American movie. Who's the real amateur here? Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Marcus Pinn on Twitter: twitter.com/PINNLAND_EMPIRE The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. One of the more neglected films of the year was The Education of Sonny Carson, the coming-of-age tale of an inner city kid who moves from life with a street gang to fighting for survival during a stretch in prison. Directed by The Mack's Michael Campus and adapted by civil rights activist Sonny Carson from his autobiography, the film packs a more brutal punch than any movie from its time yet barely gets mentioned these days. Marcus Pinn returns to discuss the film's curiously underwhelming reputation despite its decades-long legacy through hip hop music and influence on the next 50 years of cinema. Even with a messy aesthetic and muddled narrative, Campus' film is an unquestionably powerful artwork that captures individual struggle and the cruel reality of life in Bedford-Stuyvesant with the use of real locations and real Brooklyn gangs. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine The Pink Smoke on X: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. Despite the domination of Coppolas, Polanskis and Cassaveteses, 1974 really belonged to Mel Brooks. Nearly 50 at the time, the legendary comedy writer had risen from his Borscht Belt origins to release two classic films in one year, 1974's #1 box office smash Blazing Saddles and trailing all the way back at #4 highest grossing picture Young Frankenstein. While both films became instant perennial favorite parodies of then out-of-style genres, Young Frankenstein is a true love letter to the Universal Monster movies of yore and a masterfully-made horror flick that just happens to have jokes in it. We welcome back Pink Smoke favorite and wig expert Kate Wilkinson to join our chorus of praise for co-writer Gene Wilder as Dr. Frederick Frankenstein (sorry, Fronk-en-steen), Marty Feldman as Eye-gor, Teri Garr as Inga, Cloris Leachman as Frau Blücher, Madeline Kahn as Elizabeth, Kenneth Mars as Inspector Kemp, recent Oscar-winner Gene Hackman as the Blind Man and true 70's superstar Peter Boyle as The Monster - each performer at the absolute top of of their game. We discuss the film's origins being deeper than the iconic 1931 James Whale movie, whether this is more a triumph for Brooks (who was banned from casting himself) or Wilder (it was his baby) and how it fit into the comedy mindset of the mid-70's. Wig Wurq on Tumblr: https://wigwurq.tumblr.com/ Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine The Pink Smoke on X: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

A Pink Smoke tradition resurrected: our once annual Summer Movie Blockbuster Preview Extravaganza returns from the dead as we train a beady and judgmental eye on all that Hollywood has to offer over an increasingly marginalized and marginal summer blockbuster season. Even if audiences no longer flock (in droves!) to big budget star-studded special effects spectaculars the way they used to, it’s still worth considering what the immediate future holds for le cinema du multiplex. Hosts John Cribbs, Martin Kessler and Christopher Funderburg are joined by Pink Smoke copache Marcus Pinn to discuss Fall Guys, Deadpools, Borderlandies, the ways in which Howard Stern resembles Brandon Lee, under what circumstances you might be willing to watch Daddio, how much of a benefit of the doubt George Miller has earned and betraying the true essence of Garfield. It is essential listening for All True Cinephiles. As essential as A Quiet Place: Day One or Despicable Me 4. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Marcus Pinn on Twitter: twitter.com/PINNLAND_EMPIRE Movie Kessler on X: twitter.com/MovieKessler The Pink Smoke on X: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

“War… war never changes…” Attention wastelanders, time to strap on the ol’ power armor and grab a rusty gauss rifle, we’re headed into (and out) of Vault 33 to explore the new streaming TV series based on the massively popular open-world RPG Fallout video game series. Host Christopher Funderburg is joined by fellow fans of the video game series, screenwriter Tom Vaughan and critic Stephanie Crawford, to discuss the 8-episode first season of the new show from executive producer Jonathan Nolan (who also directed a few episodes.) They talk about how to adapt a video game into a different kind of narrative art, how the specificity of the Fallout world translates into a new medium, the rifts within Fallout fandom, the charm of Walton Goggins and the perks of creating a bloody mess. Support our Patreon: www.patreon.com/thepinksmoke Tom Vaughan on X: twitter.com/storyandplot The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Episodes are made available to Patreon subscribers one week before their general release. {www.patreon.com/thepinksmoke} For the first episode of our new series 197:4 Fifty Years Later, we’re joined by the first guest ever to appear on the podcast, the peerless man of le cinema Brian Saur. The Pure Cinema and Just the Discs podcast impresario selected for our conversation to discuss one of the most maligned and neglected Best Picture nominees of all-time, the ne plus ultra of blockbuster disaster films, The Towering Inferno. Star-studded cast featuring Steve McQueen (at the height of his box office power), Paul Newman (coming off 1973’s Best Picture winner, The Sting), Fred Astaire (shamelessly nominated for Best Supporting Actor), William Holden & Faye Dunaway (together two years before Network), Jennifer Jones, Richard Chamberlain and too many others to name battle a high-rise blaze in a special effects extravaganza that puts the spectacle in “Outrageously Outsized Hollywood Spectacle.” We do our best to ignore the consistent presence of OJ Simpson and put the focus where it belongs: on Sterling Siliphant. We dig into the split-direction of disaster movie mastermind Irwin Allen and actor’s director John Guillermin, McQueen and Newman’s amazingly petty competition for screen-time, the utterly ridiculous Oscar the film did win, and why there should be more appreciation for Hollywood cinema doing what only Hollywood cinema can do. Stars, explosions, character actors, air-tight screenwriting and buckets of poured money into the blaze: join us in standing in awe of this monument to Hollywood blockbusterizing. Support our Patreon: www.patreon.com/thepinksmoke Just the Discs podcast: https://justthediscs.libsyn.com/ Pure Cinema podcast: https://podcasts.apple.com/us/podcast/pure-cinema-podcast/id1204885502 The Pink Smoke site: www.thepinksmoke.com John Cribbs on X: twitter.com/TheLastMachine The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Episodes are made available to Patreon subscribers one week before their general release. {www.patreon.com/thepinksmoke} 1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. In this introductory episode, hosts Christopher Funderburg and John Cribbs discuss the idea behind the series and their relationship to movies from the year 1974. They go over the biggest films of the year: which were the most successful in terms of box office, critical success and long-ranging canonization? Why are these movies still relevant 50 years down the line? Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com John Cribbs on X: twitter.com/TheLastMachine The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

In this episode, host Martin Kessler welcomes John Arminio of the Popcorn Eschaton! podcast to discuss Kevin Reynolds' underappreciated 1988 war film The Beast. Set during the second year of the Russian invasion of Afghanistan, it follows a Soviet T-55 tank unit who lose their way in the mountains following a savage attack on a Pashtun village and the vengeful mujahideen soldiers tracking them, committed to destroying "the Beast."  Kessler and Arminio dig into this "holy grail of tank movies" and how it smartly deals with themes of revenge and mercy, the Islam faith, Pashtunwali, overcoming language barriers and humanizing both sides of a "rotten war." Popcorn Eschaton!: https://soundcloud.com/zebras-in-america/popcorn-eschaton-1 Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on X: twitter.com/MovieKessler The Pink Smoke on X: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

The Pink Smoke brigade is back to discuss the movies of 2023. Hosts Martin Kessler, John Cribbs and Christopher Funderburg look back on a year replete with above-average horror films, new works from tenured auteurs and theoretical physicists battling it out at the box office with living dolls. The conversation naturally digs into their personal favorites, including two animated masterpieces, a kaiju showpiece, a surprising amount of mainstream and direct-to-streaming releases, and a new bona fide classic from Brazil. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on X: twitter.com/MovieKessler The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

All episodes are made available to Patreon subscribers, the most tender and violent of all audiences, one week before their general release. Support our Patreon: https://www.patreon.com/thepinksmoke Hosts Christopher Funderburg & John Cribbs are joined by filmmaker & pulp paperback aficionado Steven Sheil to discuss semi-legendary, semi-forgotten crime fiction author Charles K. Williams. The group looks at a pair of nautical thrillers, Aground & its sequel Dead Calm (most famously adapted into the Billy Zane/Sam Neil classic (& also unsuccessfully adapted in yet another Orson Welles production debacle.)) Following the story of a no-nonsense charter boat captain & the charming, irrepressible widow he falls for, the aesthetic/philosophical difference between the books represents the shift happening in pulp crime in fiction of the era: the move from classic hardboiled, masculine stories to psychological thrillers concerned with the inner lives of criminals. It's a fantastic conversation about one of the most successful crime writers of his era, an author undeserving of his slow fade into obscurity. The Pink Smoke site: www.thepinksmoke.com Steven Sheil on X: https://twitter.com/SSheil The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

All episodes are made available to Patreon subscribers, the most tender and violent of all audiences, one week before their general release. {www.patreon.com/thepinksmoke} Clint Eastwood's Unforgiven often comes up in conversation about the greatest Westerns ever made, and even ones about the greatest films of the last 30 years. It served not only as a culmination of Clint's fabled career in cowboy movies but as an austere reflection on 100 years worth of Western cinema, and was lauded as the ultimate revisionist response to a genre that never tackled serious themes of violence and morality or presented a realistic portrait of life on the late 19th century American frontier. But was it really? The Pink Smoke welcomes back artist/historian David Lambert to expand upon the thoughts he presented in his epic Twitter thread examining the minutiae of its script, casting, authenticity, costuming, influences and actual place within the overall Western genre. Unforgiven is a great film, but do people even understand what it's trying to say? Lambert makes a strong case for reappraisal with hosts Christopher Funderburg and John Cribbs. David Lambert's Twitter/X thread that inspired the episode: https://twitter.com/DavidLambertArt/status/1556511206029946880?t=LgtylPHI5v2XdS5FhtDgeg&s=19 The Pink Smoke site: www.thepinksmoke.com David Lambert on X: twitter.com/DavidLambertArt The Pink Smoke on X: twitter.com/thepinksmoke

All episodes are made available to Patreon subscribers one week before their general release. {www.patreon.com/thepinksmoke} Having outmaneuvered the Outfit, shatterproof heister Parker resurfaces with a new face and a new caper. But there might be too much to watch with this armored car knockover in Jersey: a shaky accomplice, a surly waitress planning a double-cross and an oafish chauffeur looking to avenge his murdered employer. Can our criminal anti-hero juggle all these uncertain angles and still come away with a sweet boodle? Continuing our series of episodes on Richard Stark's 24-book Parker series, we jump into the slick and streamlined second book The Man With the Getaway Face, in which Stark (pen name for the legendary Donald E. Westlake) presents a line-up of memorable characters including reliable sidekick Handy McKay, broken heister Pete Skimm and the tragically obstinate Stubbs. How has the Parker character developed since his first adventure? And has this book been adapted into an obscure Mexican film or not? Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Support our Patreon: www.patreon.com/thepinksmoke Hosts Christopher Funderburg, John Cribbs & Martin Kessler are joined by legendary poster artist Tony Stella to discuss Jean-Jacques Annaud’s 1981 masterpiece Quest for Fire. A personal favorite of both Kessler and Stella, this is one of the most enthusiastic & passionate conversations ever recorded for the podcast. Set 80,000 in the past, Annaud’s film, despite being positioned as high-class awards bait in Europe, plays like a rollicking and funny adventure film with more in common with The Vikings or a classic Hollywood swashbuckler than a dour and serious look at humanity’s beginning. But while the film is an expression of pure cinematic joy, it’s also a serious and thoughtful look at the origins of civilization in terms of science, language, morality, humor & emotion. An exciting conversation about a knockout film! The Pink Smoke site: www.thepinksmoke.com Tony Stella on X: twitter.com/studiotstella Movie Kessler on X: twitter.com/MovieKessler The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

In this emergency bonus episode, hosts Martin Kessler and Christopher Funderburg sit down to discuss Marvel’s The Marvels of the Marvel Cinematic Universe. With an all-time low box office debut for an MCU film, the hosts use the film’s various artistic, conceptual and financial failures as a jumping off point to discuss the seeming impending end of the superhero era of blockbuster cinema. From the passive performances to shoddy special effects to audience fatigue, the Kessler and Funderburg look at the failures of the film not as a celebratory “ding dong the witch is dead” moment that so many Serious Cinephiles are receiving its flop as representing, but by placing the film in the context of the larger history of popular cinema and what it means when those popular eras come to a close. It's a diagnosis of what went wrong with the film that gives full respect to what has gone right with the superhero genre for the past 20 years. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on X: twitter.com/MovieKessler The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

This is it. Frank Henenlotter’s perfect six. Hosts John Cribbs and Christopher Funderburg discuss one of their favorite filmmakers and his half dozen brilliant, unforgettable exploitation (not horror) films: Basket Case and its sequels, Brain Damage, Frankenhooker and Bad Biology. What more needs to be said? Put it in your ear. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Support our Patreon: www.patreon.com/thepinksmoke "Central County was a big, rangy county with mountains to the north and mountains to the south and a vast loneliness in between. The mountains were filled with trees and creeks. The loneliness was called the Dead Hills. They were thirty miles wide. There were thousands of hills out there: yellow and barren in the summer with lots of juniper brush in the draws and a few pine trees here and there, acting as if they had wandered away like stray sheep from the mountains and out into the Dead Hills and had gotten lost and had never been able to find their way back...poor trees..." The podcast heads west for this October's horror fiction episode, where they find a couple cowboy killers recruited from a brothel to vanquish a mischievous monster in an isolated mansion out in Eastern Oregon. Richard Brautigan's rugged, experimental, very funny The Hawkline Monster: A Gothic Western begins as a travelogue of turn-of-the-century frontier life and makes a drastic shift to the surreal when the two gunmen (who don't put any lace on their killings) reach their sinister assignment. Artist and American Western history expert David Lambert is on hand to offer his take on whether countercultural cult poet/novelist Brautigan passes muster as a western writer, or if Hawkline Monster is a xerox copy of an audacious literary achievement. Lambert talks with hosts Christopher Funderburg and John Cribbs about the unmistakable Brautigan-ness of the novel, how the book fares when it moves into much stranger territory in its second half, and the fascinating decades-spanning background of multiple failed movie adaptations. The Pink Smoke site: www.thepinksmoke.com David Lambert on X: twitter.com/DavidLambertArt The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

All episodes are made available to Patreon subscribers one week before their general release. We’re joined by screenwriter Tom Vaughan to discuss a pair of cult classics by director Gary Sherman. We dig into the small-town murder-conspiracy thriller Dead and Buried as well as the ne plus ultra sleaze-thriller Vice Squad. The strengths and weaknesses of the films make for an interesting contrast that leads into a larger discussion about the practical intersections of screenwriting and on set filmmaking (with some talk about meddling producers thrown in for good measure.) The trio compares Dead and Buried’s wonky & lumpy script (by Alien and Total Recall scribes Dan O’Bannon and Ronald Shusett) to Vice Squad’s drum-tight story to consider how screenwriting plays into (or interferes with) making two such memorable films. It’s the Wings Hauser appreciation hour, folks, come get baptized in the neon slime. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Tom Vaughan on X: https://twitter.com/storyandplot The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

All episodes are made available to Patreon subscribers one week before their general release. www.patreon.com/thepinksmoke The Pink Smoke dives headfirst into the world of American pulp magazines of the 30's & 40's with two tales of derring-do featuring adventurer/scientist/detective/explorer and superhero prototype Doc Savage. Known as the Bronze Man, Savage trots the globe with his fabulous five-man brain trust facing off against all manner of ostentatious villains and colorful henchmen. Doc was the hero of 213 stories from 1933 to 1949, popularized for a new generation when revived as paperbacks between 1964 and 1990. Hosts Christopher Funderburg, Martin Kessler and John Cribbs chose two of them to read and discuss: The Fortress of Solitude and The Devil Genghis, both written by Lester Dent under the by-line "Kenneth Robeson" and published in 1938. Featuring death rays, giant amazon women and one of the most diabolical supervillains ever created who'll stop at nothing short of total world domination, the stories were so filled with action and intrigue it made each host emit a low, mellow growl subconsciously, something like the trilling of a strange bird from the jungle. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on X: twitter.com/MovieKessler The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

John Cribbs & Christopher Funderburg are back with their rundown of the 2023 Toronto International Film Festival! From the highest highs (The Boy and the Heron) to the lowest lows (Limbo) and the poutine in between, they take a look at the state of cinema as explicated by one of the world’s premiere film festivals. They discuss new films by Wim Wenders, Anna Kendrick, Ethan Hawke, Hayao Miyazaki, Errol Morris, Victor Erice, Catherine Breillat, Richard Linklater, Shinya Tsukamoto and so much more - they discuss not just the highlights, but every single goddamn film they saw while in the Queen City! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

John Cribbs & Christopher Funderburg return to the Queen City for the 48th annual Toronto International Film Festival to watch all the best in the current world of le cinema. With a line-up seemingly handcrafted to get us excited, we talk our must-see films, wildcards, and the ones we’re dreading. Included in this year’s slate are new movies by Hayao Miyazaki, Errol Morris Victor Erice, Catherine Breillat, Richard Linklater, Shinya Tsukamoto and more …choosing which titles among the 300+ entries to see is going to be tough. Get psyched! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Christopher Funderburg is joined by Martin Kessler to discuss Rainer Werner Fassbinder’s Bundesrepublik Deutschland trilogy: Lola, The Marriage of Maria Braun and The Longing of Veronika Voss. Collectively one of the most incisive looks at post-war West Germany and the re-birth of a nation shattered by Nazism, Fassbinder’s uncompromising and tender BRD films represent, for many, the highpoint of his legendarily prolific career. All Pink Smoke Podcast episodes are made available a week early to our Patreon subscribers, the most sophisticated, urbane & hoity/toity of all audiences. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site:
 www.thepinksmoke.com Movie Kessler on X:
 twitter.com/MovieKessler The Pink Smoke on X: 
twitter.com/thepinksmoke Christopher Funderburg on X:
 twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” 
Outro music: Marcus Pinn / “Vegas"

All Pink Smoke Podcast episodes are made available one week before their general release to Patreon subscribers. Subscribe to get early access & so much more: https://www.patreon.com/thepinksmoke Reality is under attack! Chaos reigns in an unnamed capital city where unwholesome apparitions exist among the besieged citizens, projected by apparatuses invented by magician/mad scientist Dr. Hoffman which modify the nature of reality itself. The city's last hope is to send a Ministry of Determination clerk on a picaresque journey to assassinate the doctor and destroy his device, a mission that will involve river cannibals, Sadeian pilgrims, religious centaurs and anatomical acrobats. This is the world of The Infernal Desire Machines of Doctor Hoffman, written by the inimitable Angela Carter. Joining hosts Martin Kessler and John Cribbs to travel Carter's mythological landscape of desire is Melanie Daniels, producer and co-host of the Cinema Parlor Podcast. Together they attempt to traverse this almost indefinable, orgiastic blend of romanticism, horror, fantasy, surrealism, magical realism, philosophy, science fiction, Gulliver, Kafka and Conrad from one of the most unique voices in English literature. Melanie Daniels on Twitter: twittter.com/plasticwerewolf Cinema Parlor Podcast: https://soundcloud.com/cinemaparlor The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

A classic episode (utterly classic) episode released from behind the Patreon paywall. Savor it like some kind of a savory soup. Hosts John Cribbs & Christopher Funderburg are joined by Marcus Pinn of Pinnland Empire as well as Calgary's own Carly Schmidt to discuss the new film from Olivier Assayas, NON-FICTION.

What more can possibly be said about Dziga Vertov & Mikhail Kaufman's Man With a Movie Camera, one of the most studied, discussed and written-about films ever made? Is everybody sick of hearing how amazing it is? Perhaps it speaks to the film's timeless artistic energy and bold experimentation that there's always something to say about the camera techniques, radical editing and unique blending of avant-garde and documentary styles which come together using "no titles, no scenario, no actors, no sets" to create an "absolute language of cinema." To help get the best possible insight into this giant artwork, hosts Martin Kessler and John Cribbs welcome Jeremy Workman, a filmmaker who's taken inspiration from Vertov in everything from his award-winning film Lily Topples the World to his latest short documentary Deciding Vote. How has Workman trained his Kino-Eye to the subjects in front of his own movie camera? Is a one hour-long, nearly-100 year old Russian movie's impact so far-reaching that it continues to inspire modern art and filmmaking around the world? Jeremy Workman's website: www.jeremyworkman.com The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

The Pink Smoke is coming in from the cold to debrief our listeners on 100 years worth of espionage thrillers. Starting in the 1920's, we chose one notable spy movie (as well as a few alternate picks) for each decade leading to our present day in order to decode how they reflect the history and pop culture of their respective epoch. From the years leading to World War II through the Cold War and up to the modern age of counterintelligence in the time of domestic terrorism and the internet, we recruited agents John Arminio (co-host of Popcorn Eschaton!) and Bill Scurry (co-host of I Don't Get It) to analyze these cloak-and-dagger tales and what they have to say about the excitement and morality of the spy profession. In Part Two, we deal with the 1980's, an era of glorified excess in which the spy movie survived by integrating itself within other popular subgenres, and make our way up to the 2020's, a much quieter and retrospective period for espionage thrillers. In between, we discuss the most charmingly repugnant spy of them all, a rip-roaring roller coaster ride about the CIA's greatest asset with amnesia (no - not that one!), betrayals and double crosses set in the corporate world and plots critical of counterintelligence agencies that can't detect deception among their own ranks. Popcorn Eschaton!: https://soundcloud.com/zebras-in-america/popcorn-eschaton-1 I Don't Get It Podcast: https://podcasts.apple.com/us/podcast/i-dont-get-it-podcast/id1205228194 The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine The Pink Smoke on Twitter: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

What if every single print of every single film by 5 esteemed filmmakers were housed in a burning warehouse and there was only time to save 5 of them? This is the hypothetical hot seat into which guests are placed on the recurring Five from the Fire series, tasked to choose a handful of movies to rescue from oblivion! On this episode, the Pink Smoke invites writer Katharine Coldrion (author of the new book Junk Film: Why Bad Movies Matter) into the burning warehouse from which she'll triumphantly emerge with such non-junky films as a cult high school horror movie, an entry in a B-movie legend's "H.G. Wells cycle," and one canonized "juice bomb." What's the reasoning behind her rescues? How do Norman Mailer, Bill Watterson and Weezer fit into this conversation? And will Katharine take advantage of a new twist where she's allowed to exchange one of the five listed directors for another filmmaker? Support our Patreon: www.patreon.com/thepinksmoke All Pink Smoke Podcast episodes are made available a week early to our Patreon subscribers, the most open-minded and good-natured of all audiences. The Pink Smoke site: www.thepinksmoke.com Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Hosts John Cribbs & Christopher Funderburg discuss (possibly) their favorite film of the year, Hirokazu Kore-eda's Shoplifters.

The Pink Smoke is coming in from the cold to debrief our listeners on 100 years worth of espionage thrillers. Starting in the 1920's, we chose one notable spy movie (as well as a few alternate picks) for each decade leading to our present day in order to decode how they reflect the history and pop culture of their respective epoch. From the years leading to World War II through the Cold War and up to the modern age of counterintelligence in the time of domestic terrorism and the internet, we recruited agents John Arminio (co-host of Popcorn Eschaton!) and Bill Scurry (co-host of I Don't Get It) to analyze these cloak-and-dagger tales and what they have to say about the excitement and morality of the spy profession. In Part One, we cover the 1920's through the 1970's which includes one epic silent masterpiece, various adventures set behind enemy lines during the war of nations, intimate stories of British citizens who exploit governments for personal gain, human dramas about moral degradation behind the Iron Curtain and post-Watergate paranoid thrillers. Support our Patreon! All Pink Smoke Podcast episodes are made available a week early to our Patreon subscribers, the most open-minded and good-natured of all audiences: www.patreon.com/thepinksmoke Popcorn Eschaton! https://soundcloud.com/zebras-in-america/popcorn-eschaton-1 I Don't Get It Podcast https://podcasts.apple.com/us/podcast/i-dont-get-it-podcast/id1205228194 The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine The Pink Smoke on Twitter: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

1988 saw the release of two action movies that have become classics of the genre, both of which just happen to have been made by directors named "John" and feature heroes named "John." In a bit of shameless gimmickry, The Pink Smoke's John Cribbs has recruited fellow "John," frequent guest and action movie enthusiast John Arminio for a Patreon-exclusive dive into John McTiernan's Die Hard and John Carpenter's They Live. Cribbs and Arminio have spent hours on The Pink Smoke Podcast going through the James Bond series, but here they examine a more reluctant, blue collar, battle-damaged kind of hero: terrorist-taunting, barefooted, jet-lagged John McClane and alien-spotting, bespectacled, gum-chewing John Nada. Can our host "Johns" find enough common ground between these two iconic warriors to connect the movies beyond their likewise labelled lionhearts? The odds are against them...and that's just the way they like it. This special episode is exclusively available to Pink Smoke patreon subscribers, such as yourself. The Pink Smoke site: www.thepinksmoke.com Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Arminio on Twitter: twitter.com/QuasarSniffer John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

PSP: Pulp Fictions covers the "Bond Novel That Never Was" - crime writer Donald Westlake's FOREVER AND A DEATH! Westlake is a favorite author of hosts Christopher Funderburg & John Cribbs so they're at full force in discussing this curious posthumously published work that on the surface seems to have nothing to do with 007.

Over a decade after his high-octane cyber-punk metal mutilation fetishism monster debut Tetsuo: The Iron Man (1989), director-producer-writer-cinematographer-editor-star Shinya Tsukamoto truly discovered himself as an artist and filmmaker with the blue-tinted, rain-drenched fever nightmare A Snake of June (2002). His seventh feature film, it follows three characters: a sexually-repressed telephone counselor, her hygiene-obsessed husband and a mysterious, spying interloper who will disrupt and upend their domestic sterilization. Hosts Christopher Funderburg and John Cribbs revisit every monochromatic corner of this beautifully strange film, which is somehow persistently cruel yet deeply empathetic to the three characters who find themselves trapped within the oppressive confines of their urban surroundings. How much of this is a self-critique by Tsukamoto (who also plays the creepy, disembodied voyeur) on the exploitative nature of cinema itself? Is there a safe middleground between cultural subjugation and unrestrained liberation? There's a lot to discuss about this deceptively short masterwork. Support our Patreon: www.patreon.com/thepinksmoke All Pink Smoke Podcast episodes are made available a week early to our Patreon subscribers, the most open-minded and good-natured of all audiences. The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

"There's no such thing as an unfashionable hero or an unsuitable heiress." Hot off their five-hour excursion into Swishbuckler Cinema, hosts John Cribbs and Christopher Funderburg trace the sordid subgenre's origins to George MacDonald Fraser's expansive series of novels featuring Harry Paget Flashman, a self-described "scoundrel with no proper feelings" who often finds himself cowering miserably in the middle of some of the 19th century's greatest military disasters. For this episode, our hosts randomly selected Flashman's Lady (1977), the sixth book of the 12-part "Flashman Papers," to see how successful the author was at mixing rousing adventure with rakish humor. From performing the first hat trick in a cricket match to crossing swords with East Indies pirates and being enslaved in Madagascar, unscrupulous cad and insatiable lecher Flashman never misses an opportunity to represent all the worst elements of colonial Victorian England...yet somehow comes off as delightfully roguish? The discussion digs into the series' multi-layered parody of historical texts, MacDonald Fraser's irreverent razing of cultural myth and how a morally repugnant character can still be appealing as a narrator and leading character within the framework of picaresque fiction. Support our Patreon! All Pink Smoke Podcast episodes are made available a week early to our Patreon subscribers, the most sophisticated and noble of all listeners: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Host Christopher Funderburg is joined by Martin Kessler to finally settle the debate of "what is art?" and "what is trash?" in cinema! Using the similarities between a Tales from the Crypt episode and a Patricia Highsmith short story as a jumping off point, the duo digs into the differences between artists and artisans, art and entertainment, high and low, product and artwork - not as a value judgement distinction but as a way of exploring the meaning of the categories into which films and literature are shifted. Superhero movies, John Carpenter, Thomas Mann, Robocop, Jaws, and Godard - what does it mean to differentiate between Art and Trash? Who's to say if Tarkovsky is better than William Castle? And why would you react negatively to drawing (or not drawing) a distinction between them? Join us for this open-minded, good-natured discussion of a highly fraught subject! Support our Patreon: www.patreon.com/thepinksmoke All Pink Smoke Podcast episodes are made available a week early to our Patreon subscribers, the most open-minded and good-natured of all audiences. The Pink Smoke site: www.thepinksmoke.com Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

On this episode, we're joined by filmmaker Bill Teck to discuss some of his favorite moments of bittersweet love in the movies. Having made One Day Since Yesterday, a documentary about Peter Bogdanovich's unsung sleeper They All Laughed, Teck knows something about cinema's most achingly romantic, heart-wrenchingly complicated relationships and crafted a list of some of the most unforgettable. We follow Teck through his picks, which include fairy tale connections and acrimonious separations set in New York, Los Angeles and an idyllic Greek Island, in the worlds of art, business and sports - even the dangerous and freewheeling streets of scenic New Jersey! Whether it's new love, love in pieces, or love in retrospect, the 24 films covered in this episode are a testament to how susceptible we are to the pitfalls and upturns of love on the big screen. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Bill Teck on Twitter: twitter.com/billteck The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Here it is. Our massive exploration of one of the most disreputable genres imaginable: The Swishbuckler. A loose collection of movies created in the mid-70s through the mid-80s parodying the classic swashbucklers of yore, swishbuckler films like Zorro The Gay Blade, Pirates, Yellowbeard and Cheech & Chong's The Corsican Brothers are marked by their terrible comedy, penchant for grotesquerie, extreme campiness and even more extreme poor taste. This might be The Pink Smoke's most massive podcast undertaking yet: from the genre's roots in Richard Lester's Musketeers films to a send-off into the swashbuckler revival of the 90s ignited by Robin Hood: Prince of Thieves, it's an improbably in-depth look at an utterly ridiculous genre for which hosts Christopher Funderburg and John Cribbs have an almost inconceivable enthusiasm. Support our Patreon: www.patreon.com/thepinksmoke (Still need an explanation of what the hell is going on here? Here ya go: At the dawn of cinema, there was The Swashbuckler: intrigue, romance and derring-do that swept audiences into the colorful royal courts and handsome pirate ships from the pages of Dumas and Sabatini. Even after its post-war peak, the Swashbuckler remained the most popular of Hollywood entertainment, having made international stars of Douglas Fairbanks and Errol Flynn and modern legends of mythical heroes like Zorro, Robin Hood, the Three Musketeers and Captain Peter Blood. By the 1970's, the legacy of Fairbanks and Flynn had devolved into what we loving term the Swishbuckler: a subgenre of comedy that borrowed the same tales of adventure and romance mixed with a healthy dose of modern irreverence. For a solid decade, raunchy satires placed in historical settings marked a trail of flatulence and queasy sexual politics across American screens to an overwhelmingly hostile critical and poor commercial response. We at the Pink Smoke are so fascinated by this odd epoch of cinema that we recorded a nearly five-hour episode in which we chronicle 14 Swishbuckler "classics," trying to understand how this wave of mediocrity managed to stay afloat for 10 years in spite of marked indifference to outright derision from critics and consistently sinking box office returns. How did these always weird, sometimes nasty exercises in Golden Era grave robbing reflect the styles and attitudes of comedy of the time? How did they deal with huge movements like women's liberation? Was the heritage of the Swashbuckler respected, even while the outmoded ideals of gallantry and romance were being purposefully disrespected? If you ever asked for an in-depth analysis of this bizarre trend of parodying a bygone era of film, you've come to the right place!) The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

In 1986, NBC debuted the series Crime Story, co-created by former Chicago cop Chuck Adamson and produced by hot-off-Miami Vice Michael Mann. The show adapted an unconventional serial format in order to span three decades in the conflict between MCU detective Lt. Mike Torello (Dennis Farina) and rising mobster Ray Luca (Anthony Denison). The ambitious approach proved the downfall of the show, which was canceled after two seasons, but Mann & co. managed to create over 30 hours worth of network drama that for the first time in American television felt like one very long movie. On this episode, host John Cribbs welcomes editor/filmmaker and Über-Mann fan Eric Pfriender to discuss the feature-length pilot episode of Crime Story, directed by Abel Ferrara. In addition to revisiting the epic scope, stellar cast and pioneering direction of the pilot, they talk about the recent Michael Mann career revitalization including the debut of his new series Tokyo Vice, publication of his novel Heat 2 and promise of his upcoming $90 million biopic about Enzo Ferrari. They also get off track and talk about Heat...a lot. Midnight in the Guest Room: [email protected] Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site:
 www.thepinksmoke.com The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter:
 twitter.com/TheLastMachine

All episodes of The Pink Smoke podcast are made available to Patreon subscribers a week before their general release. Hosts John Cribbs & Christopher Funderburg are joined by Martin Kessler to discuss the year in movies. The conversation naturally digs into their favorite films of the year, everything from an animated French adaptation of a Japanese short story collection to the travels of Mrs. Harris to the big guns everyone is talking about by filmmakers like Mr. Play Mountain and Park Chan-wook. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

"Nobody enjoyed having pie in the sky turn into pie in the face." Keenly aware of the 1988 Chevy Chase vehicle Funny Farm (the last movie directed by George Roy Hill), hosts Christopher Funderburg and John Cribbs only recently discovered its source novel written by sports columnist and humorist Jay Cronley. In this episode, they travel into rural life along with city slickers Andy and Elizabeth Farmer, who've just bought a seemingly idyllic country home complete with a pond with two ducks, a drunken mailman who hurls letters from his truck as he roars past, and a dead body buried in the garden. The Farmers soon discover that Redbud, Oklahoma, the would-be Acorn Capital of the World, is pretty much hell on earth and do what they can to suffer through their new existence in an episodic narrative that's incredibly funny and often surprising. The hosts delight in this world Cronley created and probably quote more lines than any other book-themed episode. Support our Patreon: www.patreon.com/thepinksmoke Alternate summary: Elizabeth won't tell anyone she's writing a book about squirrels. She's middle-aged, pretty, and passionate - perfect for Andy, who just wants to write about casino heists. When they move to the country, she drops everything and her notebook begins to fill with poetry. But he's over-his-head and she's about to write two important words: The End. The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

On this episode, hosts Christopher Funderburg and John Cribbs, we’re joined by our old friend filmmaker, comedian and author Kevin Maher. He’s here to promote his new Christmas book, the charming Santa Doesn’t Need Your Help. Illustrated by New Yorker cartoonist Joe Dator, the book is a traditional rhyming children’s book while at the same time deliberately engaging with questions of aging and responsibility that are distinctly adult in nature. It’s a free-ranging, not-safe-for-work conversation that touches on missed Indiana Jones casting opportunities, Huey Lewis antagonizing audiences, a failed Tobe Hooper project, Clara Peller of “where the beef?” fame, and Klaus Kinski’s balls - and that’s all within the first 10 minutes. They do not, however, discuss Sylvia Sidney. Merry Christmas everybody! Buy the Book! https://www.barnesandnoble.com/w/santa-doesnt-need-your-help- kevin-maher/1141243362 Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Kevin Maher on Twitter: twitter.com/kevingeeksout The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Only the superhits

We get high-vallewton* with Tim Quirk, longtime cinephile and frontman of one of The Pink Smoke's favorite bands, Too Much Joy. At the height of the pandemic, Quirk initiated a binge of great movies that led him to Val Lewton's legendary run of low-budget horror films produced for RKO Pictures in the 1940's. Quirk was captivated by these deep philosophical explorations of darkness and isolation, which directly inspired songs on the latest Too Much Joy albums, Mistakes Were Made and All These Fucking Feelings. Focusing on The Seventh Victim and I Walked with a Zombie (both released in 1943), we tap into Tim's enthusiasm for the economical creepiness, profound purple dialogue and "the glitter of putrescence" that preoccupies those who inhabit the shadows of Lewton's screen. Are they the real monsters? Do we as a society have a collective death wish? Are these complex explorations of loneliness, fear and self-destruction even really horror movies? However you define them, there's no question that Lewton's films are unlike anything else. * Like, highfalutin.** ** We would at least task any other lyricists inspired by these movies to write a song that rhymes "highfalutin" with "Val Lewton." Support our Patreon: www.patreon.com/thepinksmoke Tim Quirk on Twitter: https://twitter.com/tbquirk Too Much Joy on Twitter: https://twitter.com/TooMuchJoyHQ The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro/Outro Music: Too Much Joy "I Met a Ghost."

On our massive new episode, hosts Christopher Funderburg and John Cribbs are joined by longtime friends of the show John Arminio and Bill Teck to discuss one of the greatest film series in the history of le cinema: the Indiana Jones tetralogy! Join them at their own podcasting Club Obi-Wan as they tackle Mr. Play Mountain’s brilliantly fun series the way Indy tackles one of Lao Che’s henchmen going after the antidote on the scattering and chaotic dance-floor. They delve deep into their shared Well of Souls to explore the role of Philip Kaufman in the creation of the character, the missed opportunity to have Danny DeVito in the series, the stunning stuntwork across the films, the moments when the comedy works or doesn’t work and why its vision of the Hebrew G-d is so powerfully beautiful. Maybe most surprisingly, as with their discussion of the most unloved film in the Star Trek series (William Shatner’s Star Trek V) the group rises to the defense of the much-detested Kingdom of the Crystal Skull. Give it a listen. We have top men working on it right now. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Bill Teck on Twitter: twitter.com/billteck John Arminio on Twitter: twitter.com/QuasarSniffer The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

“Only pain and suffering will make you realize who you are.” A Halloween double feature! Hosts John Cribbs and Christopher Funderburg look at a pair of re-marriage thrillers in which the new spouse turns out to be diabolically psychotic: Audition and The Stepfather. Director Takashi Miike and screenwriter Donald E. Westlake (the respective creative forces behind each film) bring a masterful level of artistry and intelligence to the brutality (both physical and emotions) of the movies, taking genre filmmaking to its apex. The conversation compares the films’ depiction of the differences between feminine and masculine performance, their themes about abuse and exploitation, and what each one has to say about the nature of evil. Beware of your fantasies of a perfect family and a perfect spouse, they might kill you. All Pink Smoke Podcast episodes are made available a week early to our Patreon subscribers, the most decisive & thoughtful of all listeners. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

“I’ve looked into his eyes and seen the blackness of the beyond, the great nothing that waits for our warmth.” The podcast gets as metal as it will ever get: we’re joined by Tenebrous Kate of the Bad Books for Bad People podcast to discuss David Peak’s utterly indefensible horror novel Corpsepaint. Its snaking story slithers its way from a grimy travelogue about a pair of musicians traveling across Europe to the Ukraine to record an album into full-blown Lovecraftian apocalyptic horror. But wait, it gets worse! Murder, torture, school shootings, heroin withdraw, the cruelty of the old gods, evil goats and blood-caked fretboards, the story begins with black metal and ends with plague, cannibalism and mass death. The discussion touches on the traditions of cosmic horror, the definite but indefinable distinction between black and death metal, and the pleasures of artworks that will definitely fail any moral purity tests. Support our Patreon: www.patreon.com/thepinksmoke Listen to Bad Books for Bad People: www.badbooksbadpeople.com/ The Pink Smoke site: www.thepinksmoke.com Bad Books for Bad People on Twitter: twitter.com/badbooksbadppl The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

“The chaste woman loves to contemplate dawn.” Hosts John Cribbs and Christopher Funderburg sit down to discuss Henri-Georges Clouzot’s masterpiece of suspense, Les Diaboliques. The film follows a pair of abused women seeking revenge on their tormentor as it builds to one of cinema’s greatest (and most diabolical) twist endings. The conversation covers Clouzot’s controversial past and working methods, why the comparisons to Hitchcock are reductive, the artistic influence of his wife Vera, why Clouzot’s Le Corbeau made both furious the Nazis and French resistance furious, and the balance of power between Clouzot’s twins masterpieces Diaboliques and The Wages of Fear. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

“The trouble with us Americans is that we all want a tragedy with a happy ending.” Sophie won't tell anyone she's sleeping with her professor. He's young, handsome, and passionate - perfect for Sophie, who just wants to write about love. When they hook up, he drops everything and her notebook begins to fill with poetry. But while he's head-over-heels, she's about to write two important words: The End. We're joined by Pink Smoke 3rd mic Marcus Pinn (of Pinnland Empire) to discuss Hal Hartley's brilliant film Surviving Desire! The conversation looks at Hartley's vanishing place in the American film canon, why it's more important to repeatedly read a single paragraph from The Brothers Karamazov than to know Dostoevsky's biographical details, and the disappearance of the independent cinema landscape in which Hartley's work flourished. Support our Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Marcus Pinn on Twitter: twitter.com/PINNLAND_EMPIRE The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

For this episode in our Patreon-exclusive series on Franz Kafka’s The Trial, we’re joined by Martin Kessler to discuss unfinished masterpieces, over-finished masterpieces, post-humous puzzles, re-edits, rejiggerings, and all manner of ways in which the “completeness” of a masterpiece can remain unresolved. Naturally, Kafka’s work leads the way in the discussion, but quickly turns to artworks ranging from the various film versions of Don Quixote to Bizet’s Carmen to Blade Runner, The Confessions of Felix Krull, Zulawski’s On the Silver Globe, German’s It’s Hard to be a God, Billy Budd and The Good Soldier Schweik. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site:
 www.thepinksmoke.com The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Christopher Funderburg on Twitter:
 twitter.com/cfunderburg John Cribbs on Twitter: 
twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two”
 Outro music: Marcus Pinn / “Vegas"

We’re back. After an extended Covid, malaise and illness-induced hiatus, John Cribbs & Christopher Funderburg return to the 47th annual Toronto International Film Festival to watch all the best in the current world of le cinema. The preview follows their traditional format: each picks 3 must-see films, 3 films to avoid & a handful of wildcards! Included in this year’s slate are North American debuts of new movies by Hirokazu Kore-eda, Sarah Polley, Jafar Panahi, Steven Spielberg, Sally El Hosaini…choosing which titles among the 300+ entries to see is going to be tough. But the experience is always unique, there are always fun discoveries and unexpected screenings, hopefully our excitement for this always monumental event is palpable on the episode! Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site:
 www.thepinksmoke.com The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Christopher Funderburg on Twitter: 
twitter.com/cfunderburg John Cribbs on Twitter: 
twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two”

Parker, that stoic solo brute of independent career criminals, made his debut in the pages of Richard Stark's The Hunter 60 years ago. Stark (the pseudonym under which legendary crime fiction writer Donald E. Westlake chronicled the Parker stories) introduces the world to this ultimate anti-hero at his lowest: backstabbed by a coward, shot by his own wife, ripped off for his take from a bold heist, forced to kill his way out of a prison labor camp and travel penniless cross country to New York, where he expects to enact some savage revenge on those who crossed him. Hosts Christopher Funderburg and John Cribbs revisit this first entry in the 24-book Parker series to examine what made the character so instantly intriguing and why the novel, adapted twice as the Lee Marvin-starring Point Blank and Mel Gibson-ruined Payback, seems weirdly detached from the subsequent books. What does this very readable pulp thriller have to say about lazy corporations and bad luck and monogrammed belt buckles? And the big question of the episode: when does Parker become Parker? Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Host Christopher Funderburg is joined by critic & author Martin Kessler for the second of four episodes covering Errol Morris’ stunningly brilliant documentary television show, First Person. Filmed on Morris’ notorious documentary-interrogation device, The Interrotron, and touching on all his favorite obsessions, First Person brought Morris’ ground-breaking documentary style to the small screen. This podcast episode, titled “Wastebasket Taxon,” focuses on the episodes of First Person that looked at one of his favorite subjects: weird science. This episodes covers “Eyeball to Eyeball,” “I Dismember Mama,” “Harvesting Me,” and “Smiling in a Jar.” Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Host Christopher Funderburg is joined by critic & author Martin Kessler for the second of four episodes covering Errol Morris’ stunningly brilliant documentary television show, First Person. Filmed on Morris’ notorious documentary-interrogation device, The Interrotron, and touching on all his favorite obsessions, First Person brought Morris’ ground-breaking documentary style to the small screen. This podcast episode, titled “Likely Heroes,” focuses on the episodes of First Person that looked the rarest of all subjects in Morris’ oeuvre: heroes. Possibly. Maybe. Arguably heroes. This episodes covers “The Little Gray Man,” “Leaving the Earth,” “You’re Soaking in It!,” and “Mr. Debt.” Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Host Christopher Funderburg is joined by critic & author Martin Kessler for the second of four episodes covering Errol Morris’ stunningly brilliant documentary television show, First Person. Filmed on Morris’ notorious documentary-interrogation device, The Interrotron, and touching on all his favorite obsessions, First Person brought Morris’ ground-breaking documentary style to the small screen. This podcast episode, titled “Crime (Adjacent) Stories,” focuses on the episodes of First Person that looked at people embroiled in crime without being criminals themselves. This episodes covers “The Killer Inside Me,” “In The Kingdom of the Unabomber,” “The Only Truth,” “The Stalker,” and “The Parrot.” Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Host Christopher Funderburg is joined by critic & author Martin Kessler for the first of four episodes covering Errol Morris’ stunningly brilliant documentary television show, First Person. Filmed on Morris’ notorious documentary-interrogation device, The Interrotron, and touching on all his favorite obsessions, First Person brought Morris’ ground-breaking documentary style to the small screen. This podcast episode, titled "The Best and the Brightest," focuses on the episodes of First Person that explored the inscrutable nature of human intelligence. This episode covers “Stairway to Heaven,” “The Smartest Man in the World,” “One in a Million Trillion,” and “Mr.Personality.” Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

“I want to kill someone but everybody’s already dead.” Hosts John Cribbs and Christopher Funderburg sit down to discuss Tom Piccirilli’s grotesque Southern Gothic novel A Choir of Ill Children. This movie comes via a recommendation from author Stephanie Crawford, who paired it with John Farris’ All Heads Turn When the Hunt Goes by on our episode about that book. It’s a deeply eerie and unsettling book, in utterly poor taste in the best possible sense. Their discussion digs into the books’ diffuse plot, the gentrification of horror/exploitation genres and what happens when the ham is in the house. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Hosts John Cribbs & Christopher Funderburg discuss Jim Thompson's haltingly bizarre crime novel THE GOLDEN GIZMO, originally published in 1954 as part of a flood of work by Thompson following the success of THE KILLER INSIDE ME. GIZMO, however, is based on a manuscript written by Thompson years earlier and rejected by publishers until demand for Thompson's work resurrected it. Visit The Pink Smoke site: http://thepinksmoke.com/ Follow us on Twitter: https://twitter.com/TheLastMachine https://twitter.com/thepinksmoke

“You are what you do. A man is defined by his actions, not his memory.” Martin Kessler returns to take a trip down memory lane, joining John Cribbs in conversation about Paul Verhoeven's Total Recall. Since its release in 1990, Verhoeven's consciousness-expanding roller coaster ride has remained a mind-blowing anomaly, a fusion of high-minded philosophical science fiction and pulse-pounding big Hollywood action that thrilled audiences even as it explored the dangers of sinking too far into escapist fantasy. Kessler and Cribbs discuss the wonders of Verhoeven's epic achievement, its source material (the Philip K. Dick head trip "We Can Remember It for You Wholesale") and the decade-long aborted attempts to bring it to the screen. Grab a Johnnycab and join our hosts as they dive into the ultimate vacation reverie/nightmare - open your mind and get your ass to Mars! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Martin Kessler on Twitter:
 twitter.com/MovieKessler The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two”
 Outro music: Marcus Pinn / “Vegas"

In 1985, William "Hurricane Billy" Friedkin was back on the streets with the savage and illusive policier To Live and Die in L.A. Filmed with gritty precision, photographed in painterly textures by the immortal Robby Müller and encompassing one scorcher of an extended city-wide high-speed pursuit that leaves even the celebrated chase from The French Connection in the dust, the movie electrified the screen yet couldn't produce a spark critically or commercially. It has since been rightfully recognized as a classic, much to the satisfaction of hosts Christopher Funderburg and John Cribbs who sit down to review the fatal errors of Richard Chance, Rick Masters and John Vukovich on the blood-red scorched inland valleys of the City of Angels. A would-be presidential assassin exploding midair, bungee jumping off the Vincent Thomas Bridge, the intricate art of creating "funny money," a foot chase at an airport terminal, canvases set ablaze, kabuki-inspired performance artists, dumpster death, strip club stoolies, botched stakeouts, prison yard hits, a sleazy lawyer who work both sides, a speedy escape down a wrong way street, Steve friggin' James - there are a million reasons to love this movie. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

“You just like children. Have eyes but don't see. You try live in taiga, soon dead.” We’re joined by illustrator and poster designer Tony Stella to discuss what might be Akira Kurosawa’s most neglected masterpiece, Dersu Uzala! The trio discusses where the film, an unexpected Russian-Japanese co-production, fits into the filmography of a filmmaker any reasonable cinephile would consider to be among the greatest to ever do it. Coming shortly on the heels of Kurosawa’s suicide attempt, Dersu represents a strange spiritual transformation for the filmmaker but one that led directly to his stunning creative rebirth with Kagemusha, Ran and Dreams. The film follows a Russian army officer in the early 20th century on a series missions exploring the far reaches of the taiga on the border between Russia and China. On his initial trip into the extreme and unforgiving wilderness, he meets the titular character, a strange woodsman who yells at fire, shoots with supernatural accuracy, and knows the landscape better than anyone who ever lived. It’s the story of an unlikely friendship between impressive, seemingly indomitable men. Tony Stella on Instagram: https://www.instagram.com/studiotstella/ The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

On this episode, The Pink Smoke welcomes back podcaster and physical media maven Brian Saur to bite into the succulent apple that is The Lady Eve. The gleaming center of an unparalleled four-year, 7-movie run of masterpieces from the peerless Preston Sturges, Eve strikes an immaculate balance of comedy that is high and low brow, impressions of love both cynical and romantic, and a leading lady who's positively anything but good and positively anything but bad. With a top-to-bottom phenomenal cast including Barbara Stanwyck, Henry Fonda, Charles Coburn, Eugene Pallette and William Demarest breathing life into Sturges' brilliant dialogue and deftly executing his pratfalls, it's hard to argue against this movie being the pinnacle of Hollywood's age of slapstick. Along with co-host Elric Kane on the Pure Cinema Podcast, Brian originated the phrase "handshake film" to describe great movies that are easy for fellow cineastes to bond over and The Lady Eve is certainly that. Like Brian, hosts Christopher Funderburg and John Cribbs are huge Sturges fans who find every frame of Eve irresistible, so this episode quickly turns into a gush session in which they quote favorite lines, deconstruct favorite scenes and have a great time doing it! Just the Discs on Youtube: https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g The Pink Smoke site: www.thepinksmoke.com Brian Saur on Twitter: twitter.com/bobfreelander Pure Cinema Podcast on Twitter: twitter.com/PureCinemaPod The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

“It came to Mr. Blood, as he trudged forward under the laden appletrees on that fragrant, delicious July morning, that man - as he had long suspected - was the vilest work of God, and that only a fool would set himself up as a healer of a species that was best exterminated.” Join hosts Christopher Funderburg and John Cribbs on the high seas as they celebrate the 100th anniversary of Rafael Sabatini's seminal swashbuckler Captain Blood. Detailing the odyssey of Dr. Peter Blood from his unjust persecution in the Bloody Assizes to his enslavement on the sugar plantations of Barbados and escape to a spectacular career as the most feared and beloved buccaneer on the Caribbean, it's the very definition of a page-turner that transported the romance and adventure of Dumas into the 20th century. Famously adapted by Michael Curtiz as the 1935 classic starring Errol Flynn and Olivia de Havilland, Sabatini's tale of honor and morality is as timeless now as it was 100 years ago. Our hosts glide through a rip-roaring narrative that chronicles Blood outfoxing a Spanish Admiral, crossing swords with lascivious pirate Levasseur, sacking the cities of Maracaybo and Cartagena with his fellow Brethen of the Coast and romancing the unattainable heart of Arabella Bishop, the niece of his greatest enemy! The flags fly and the cannons roar as Sabatini reshapes the adventure novel for the next century. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

We're joined by Steven Sheil, co-curator of the Mayhem Film Festival, to discuss this fantastic 50's crime novel written by H. Vernor Dixon, a truly obscure author who deserves more attention. Sheil describes the surprisingly literary book as Westlake's Parker combined with The Great Gatsby!

“Jim, you don't ask the Almighty for his I.D.” It’s something you didn’t dream was possible, the unlikeliest scenario in all the universe: four people sitting down together in praise of Star Trek V: The Final Frontier. Hosts John Cribbs and Christopher Funderburg are joined by a pair of friends the show (perhaps the best friends of the show), John Arminio and Bill Teck, in defense of one of the least-defended films in all of le cinema. The group discusses the pros (and undeniable cons) of the film: from the brilliant casting of virtual unknown Laurence Luckinbill as the Vulcan prophet Sybok to what makes a Star Trek film Star Trek-y to how the success and genial humor of Star Trek IV got the series pointed in the wrong direction. Each of the group has a different perspective and relationship to the series, so the discussion approaches from a variety of directions the seemingly unapproachable task of recusing the film’s reputation. Join us for a trip to the great beyond and the fraudulence to be found there. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Bill Teck on Twitter: twitter.com/billteck John Arminio on Twitter: twitter.com/QuasarSniffer The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Hosts John Cribbs & Christopher Funderburg discuss the "voodoo" thriller that was adapted for the screen into John Schlesinger's The Believers as well as the real-life criminal enterprises inspired by the book/movie. It's a story of oblivious racism, NYC grime, goofy acronyms & the endless recounting of what our hero read in research files.

“The Experiment is The Experiment.” We’re joined by critic & filmmaker Martin Kessler to discuss the Strugatsky Brothers’ magnum opus, The Doomed City. Long self-suppressed by the brothers due to fears of retribution by Soviet government under which it was written, the book has a potency and imagination that rivals their best work like Hard to Be a God (adapted into the legendary film by Alexei German) and Roadside Picnic (adapted by Andrei Tarkovsky into the all-time classic Stalker.) The story concerns a bizarre city operating unstuck from time under the incomprehensible parameters of an opaque social-metaphysical project known only as The Experiment. Theological novel, pointed political allegory, mind-bending sci-fi story; like the land of The Experiment itself, The Doomed City is an ever-changing landscape with mysteries apt to be interpreted wildly differently depending on who is doing the interpreting. We go deep on this challenging but wildly engaging masterpiece from some of the most important science-fiction writers ever to exist. Support our Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke site: 
www.thepinksmoke.com Martin Kessler on Twitter:
 https://twitter.com/MovieKessler The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter: 
twitter.com/TheLastMachine Christopher Funderburg on Twitter: 
twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two”
 Outro music: Marcus Pinn / “Vegas"

The great Bill Duke, immortalized onscreen for his roles in Car Wash, Predator, Action Jackson, The Limey and Mandy, also boasts a distinctive five-decade career directing film and television. On this episode, hosts Christopher Funderburg and John Cribbs welcome back Pinnland Empire guru Marcus Pinn to discuss Duke's 1984 feature debut, The Killing Floor. After premiering on the PBS American Playhouse series, winning the Special Jury Prize at Sundance and being chosen as an Official Selection of the "La Semaine de la Critique" section at Cannes, the movie practically disappeared from sight until its recent 4k restoration and preservation by the UCLA Film & Television Archive. Set during a period of migration of Southern black workers to the giant Chicago slaughterhouses during the first World War, Killing Floor concerns the struggle to build an interracial union even as meatpacking management actively plotted to divide the workface along ethnic lines, a conflict which boiled over in the race riots of 1919. Featuring early performances from Alfre Woodard and Dennis Farina, an exhaustively researched screenplay by Leslie Lee (from a story by producer Elsa Rassbach) and assured direction from Duke, it's a film that deserves more recognition for both its subject matter and its own time and place in American filmmaking. Support our Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Marcus Pinn on Twitter: https://twitter.com/PINNLAND_EMPIRE The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

"I do know my room was so cold in winter and so hot in summer I couldn't sleep. Your house looked like heaven, high up there. That's how I began to hate you." On this episode hosts Christopher Funderburg and John Cribbs discuss the namesake of this very site, Akira Kurosawa's intense crime masterpiece High and Low! A long-standing favorite of the Pink Smoke, its founders are always excited to dig into this thriller about the harrowing moral decisions forced into play by a botched kidnapping. The film's unique structure moves from a single-set drama about corporate back-stabbing to an expansive police procedural that winds its way through every level of Tokyo and, consequently, shifts its focus from Toshiro Mifune as an executive under pressure to Tatsuya Nakadai as the detective chasing down every lead. Brilliant from start to finish, there's a case to be made that High and Low represents the culmination of the finest era in the Japanese master's body of work. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

"Move over Judith Krantz and Jackie Collins... JUICY!" - Booklist Cupid's arrow has struck the Pink Smoke on St. Valentine's Day, and they've decided to give some love to that most disrespected of genre fictions: the romance novel. Recruiting beach-read paperback enthusiast Melanie Daniels from the Cinema Parlor Podcast, hosts John Cribbs & Christopher Funderburg access the world of glamorous women and their lusty affairs with truculent suitors via Fame & Fortune by Kate Coscarelli. Known to cinephiles as author of the Phantasm novelization (and mother of Phantasm writer-director Don Coscarelli), Kate produced six salacious books dealing with the steamy lives of rich widows, lonely housewives, ambitious businesswomen and rising starlets struggling to stay on top in the cutthroat upper class society of Los Angeles. Fame & Fortune deals with the circle of friends of one Peach Malone, super-wealthy widow of Drake "Midas" Malone trying to regain control of her estate following the death of her Prince Charming. Her friends include Grace Gable, a hairdressing entrepreneur harboring a dark secret; Maggie Hammond, blossoming interior designer with two smoky beacons for eyes like a Keane painting; Laura Austin, frail wife of an in-demand doctor whose own eyes have shifted to Hollywood's hottest sex symbol Ghilly Jordan; and Belinda Cornwall, the absolute doyenne of Los Angeles society - the lady with the whim of iron! Coscarelli juggles this large cast of characters as they struggle to wrest back dominance of their own lives by outsmarting, upstaging and maybe even murdering the gorgeous brutes who stand in their way. The Pink Smoke site: www.thepinksmoke.com Melanie Daniels on Twitter: twitter.com/plasticwerewolf The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Hosts Christopher Funderburg & John Cribbs discuss the new, posthumously-published novel from the great crime novelist, Donald Westlake - author of the Parker & Dortmunder books. Westlake is a Pink Smoke favorite and the podcast has previously covered Forever and a Death (a script for a James Bond movie converted into a novel) and Double Feature (a pair of novellas about violence in Hollywood.) The story of a woman putting off responding to a marriage proposal by contracting a New York cabby to drive her to Los Angeles rather than flying there, Call Me a Cab is a bit of a change-up for Westlake. Instead of a dark thriller like The Hunter and The Ax or a clever, genial crime story like The Hot Rock, this latest novel is a low-key romance built around a meandering road-trip. It’s a unique story and approach by an author from who you would least expect it. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

We pay tribute to the recently deceased Peter Bogdanovich, considering his work both as a filmmaker and a cinephile by exploring his list of the best American films of 1939 (the year of his birth). We’re joined by Bill Teck, the director of One Day Since Yesterday, a loving celebration of Bogdanovich’s They All Laughed - a box office & critical failure only now being rediscovered in no smart part because of Teck’s documentary. Bogdanovich's list includes screwball comedies, adventure films, melodramas, westerns, movies that (most importantly to Bogdanovich) express the personalities & emotions of their directors. The trio connects these films to Bogdanovich’s life and work, Teck’s experiences with the man himself & a discussion of the cruelty of Bogdanovich’s critical burial and deserving resurrection. The episode includes a healthy “fuck you” to Hal Needham. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site:
 www.thepinksmoke.com The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Bill Teck on Twitter: twitter.com/billteck John Cribbs on Twitter: twiiter.com/TheLastMachine Christopher Funderburg on Twitter: 
twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” 
Outro music: Marcus Pinn / “Vegas"

Host Christopher Funderburg is joined by his old friend Adam Leon to discuss Leon’s new film Italian Studies. Starring Vanesse Kirby (The Queen, Mission Impossible: Fallout, Pieces of a Woman), the film follows an author who suffers a psychotic break and wanders Manhattan, joining up with a group of random teenagers in attempt to take ahold of herself and her identity once again. The discussion touches on Leon’s sudden success with the SxSW-winning, Cannes-selected Gimme the Loot, the weird intersection of success and failure that came with his follow-up film Tramps, and the risks of making a film that you know will be divisive like Italian Studies. Leon talks about the process of working with an actress like Kirby on a somewhat experimental film, how he found the film’s teenager actors, and why his film’s titles are always awful. Support our Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke site:
 www.thepinksmoke.com The Pink Smoke on Twitter:
 twitter.com/thepinksmoke Christopher Funderburg on Twitter: 
twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two”
 Outro music: Marcus Pinn / “Vegas"

Hosts John Cribbs & Christopher Funderburg discuss the year in movies. The conversation naturally touches on their favorite films of the year but more than that, the duo discusses why they rarely do these “year in review” pieces anymore and how their approach to cinema has changed as they’ve gotten older. By the end of the conversation can they find a way to balance their negativity about the current state of things with their lifelong love of film? No. The answer is no. Support our Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke site: 
www.thepinksmoke.com The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Christopher Funderburg on Twitter:
 twitter.com/cfunderburg John Cribbs on Twitter: 
twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two”
 Outro music: Marcus Pinn / “Vegas"

"Not even death is static like a picture is. If you look at a corpse long enough, you see things move beneath the skin, as real and liquid as the blood in your own veins." What is Generation Loss? Is it a crime novel about a jaded never-was photographer turned leather-clad gumshoe? Is it a horror story about furry weasel-like "fishers" stalking tourists in rural Maine? Or maybe it's a dark melodrama about art and redemption in which a middle-aged alcoholic is forced to channel the energy normally reserved for self-damage to save a young girl from a reclusive, decades-old evil? Hosts Chris Funderburg and John Cribbs struggle to get a handle on genre-flipping Elizabeth Hand's Shirley Jackson Award-winning novel, the first of a series featuring tattooed shutterbug Cass Neary. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: 
twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

"A captain's job is a lonely one. He's easily misunderstood." On this episode, we welcome back John Arminio and his father, Captain Tom Arminio, USN, Retired, to tackle a double feature of classic WWII-set Naval melodramas: 1954's The Caine Mutiny and 1955's Mister Roberts. Both films deal with the tricky subject of bad military leadership, how it trickles down the ranks and threatens the effectiveness of an entire ship. Whose is the worst captain, Humphrey Bogart's erratic and incompetent Queeg or James Cagney's oppressive and oblivious Morton? When is the right time for officers to take a stand against a potentially mad or tyrannical leader? When is the right time to pitch the palm tree into the ocean? Organizing movie screenings and discussions with his geographically separated family during the height of the pandemic, John Arminio has enjoyed regular movie talks with his father, whose 24 years of Naval experience give him a unique insight into these depictions of faulty leadership on the decks of wartime ships. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke John Arminio on Twitter: twitter.com/QuasarSniffer John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

“Perhaps when one is about to die one sees every kind of bird pass; when one sees the crow it means one’s time has come.” A bit of a weird one: hosts John Cribbs & Christopher Funderburg each picked a “war story” to discuss. The podcast loves to dig into short stories (in the past it has looked at everything from Edogawa Ranpo to Patricia Highsmith) and, as a way of exploring the short fiction format, this episode deeps on a pair of only tangentially stories brought together around a loose theme. The two “war stories” selected are Harlan Ellison’s hugely influential sci-fi classic “Soldier” and Italo Calvino’s bizarre & poetic “The Crow Comes Last.” While these two stories couldn’t be more different in approach, the conversation ends up being surprisingly revealing about both works and how they relate to each other. At very least, it provides the hosts an opportunity to talk about two of their absolute favorite authors! All episodes of the Pink Smoke podcast are available to Patreon subscribers a week before their release to the general public! Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site: 
www.thepinksmoke.com The Pink Smoke on Twitter:
 twitter.com/thepinksmoke Christopher Funderburg on Twitter: 
twitter.com/cfunderburg John Cribbs on Twitter:
 twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two”
 Outro music: Marcus Pinn / “Vegas"

The Daniel Craig Era of James Bond has officially ended, allowing John Cribbs and special guest John Arminio to conclude their comprehensive review of every Bond movie, which they began in April of 2020 (the original premiere date of the much-delayed No Time to Die!) Starting with 2006's series reboot Casino Royale and finishing with their thoughts on the latest 007 adventure, Cribbs & Arminio reminisce on the things that got them excited and the things that made them disappointed in the last 15 years of the fabled franchise. Why did Craig always have to be a rogue agent? Why was he so bad at protecting women? Did SPECTRE really need to subsidize Quantum? Was the overall characteristic of Craig's superspy really embarrassing failure? These are just some of the questions tackled by our duo of double 0 analysts as they wrap up the Pink Smoke's series of Bond reevaluation. And don’t fail in your duty to check out our previous Bond episodes: Bond in the Brosnan Era: http://thepinksmoke.com/PSP74BondBrosnan.html Bond in the 80s I: thepinksmoke.com/PSP62Bondinthe80sI.html Bond in the 80s II: thepinksmoke.com/PSP63Bondinthe80sII.html Bond in the 70s: soundcloud: https://soundcloud.com/user-564624820/psp-ep58-james-bond-in-the-70 spotify: open.spotify.com/episode/2t6MQIIbFBKzzKfdtZaQ9x apple podcasts: podcasts.apple.com/us/podcast/ep-5…i=1000489551247 Bond in the 60s: soundcloud: https://soundcloud.com/user-564624820/psp-ep52-james-bond-in-the-60s spotify: open.spotify.com/episode/3g6UHop4amOmuBpljaxx3F apple podcasts: podcasts.apple.com/us/podcast/ep-5…i=1000506773799 The Pink Smoke site: www.thepinksmoke.com Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Arminio on Twitter: twitter.com/QuasarSniffer John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

“Bad luck isn't brought by broken mirrors, but by broken minds.” This is it: our mammoth exploration of the work of Italian aesthete Dario Argento. Hosts Christopher Funderburg and John Cribbs are joined by filmmaker and illustrator Patrick Horvath to explore the career of one of horror cinema's most notorious and beloved artists. They cover it all, from the brilliant beginnings of the "animal trilogy" of The Bird with Crystal Plumage, Cat O' Nine Tails and Four Flies on Grey Velvet to the some of the highest points in the history of horror cinema with Suspiria and Deep Red all the way through to the bitter end. They pair each of the films from Argento's golden era with a film from the more dispiriting later portion of the filmmaker's career in order to explore the continuity of his themes and artistic ideas. They look in-depth at the classics like Opera and Inferno while keeping their eyes open for silver linings such as his two Masters of Horror entries and his "Max von Sydow teams up with a parrot to solve mysteries" late-giallo Sleepless. It's here, the most comprehensive podcast study of one of the artists who defined the genre. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Patrick Horvath on Twitter: https://twitter.com/PatrickHorvath Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

“Looks like his pecker was blowed off, Lydell.” Join hosts Christopher Funderburg and John Cribbs as they team up with film writer and podcast stalwart Stephanie Crawford for a journey down to Dasharoons, an idyllic Arkansas estate where you can expect scenic sunsets, Creole dishes and the occasional testicle explosion. That's right - for our annual October horror read, we delved into the pages of All Heads Turn When the Hunt Goes By, a lyrical and trashy epic of 70's genre fiction written by John Farris! This southern gothic gets going quickly and doesn't stop barreling down its dark and twisted hill. A groom runs amok and slashes family members with a ceremonial saber at his own military academy wedding. A fingernail-less detective investigates a series of inexplicable lightning bombs. A traumatized WWII soldier might be possessed by the spirit of his decapitated father. Somehow it all involves magical vengeance and an ambidextrous Voodoo rainbow serpent-goddess (could it be otherwise?) It's all Crawford and our hosts can do to keep their heads above the putrid water of this book's strange, fascinating, tawdry world. You can get updates on Stephanie Crawford’s most recent publications and podcast appearances on House of a Reasonable Amount of Horrors: hoaraoh.com. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site: 
www.thepinksmoke.com The Pink Smoke on Twitter:
 twitter.com/thepinksmoke Stephanie Crawford: twitter.com/scrawfish Christopher Funderburg on Twitter: 
twitter.com/cfunderburg John Cribbs on Twitter:
 twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two”
 Outro music: Marcus Pinn / “Vegas"

For October's horror fiction pick, The Pink Smoke welcomes back Wendy Mays of the Pet Cinematary and Losers Pod podcasts to talk about the swarm of killer-cats-descending-on-rural-Long Island-community classic Feral by Berton Roueche. Among the topics discussed: if it's possible to sympathize with city couples who abandon kittens on the side of the road at the end of the summer, the right way to deal with cannibalistic strays who decide to add human flesh to the menu and whether or not a 1991 TV movie totally ripped off Roueche's novel. Snuggle up with your favorite feline and follow along! The Pink Smoke site: www.thepinksmoke.com/ The Losers podcast: https://theloserspod.podbean.com/ Pet Cinematary podcast: https://petcinematary.podbean.com/ Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

“A guy wants to name his cock ‘Macho,’ it’s fine by me.” We’re joined by filmmaker Bill Teck to discuss the latest film from Clint Eastwood, Cry Macho. Mr. Teck previously joined us to discuss Eastwood’s 2019 film Richard Jewell and remains our favorite person with whom to discuss the 91 year-old star-auteur. We place the film within the larger context of Eastwood’s complicated career and its nearing end. The film follows a deeply washed-up rodeo star who travels to Mexico City on behalf of his former boss to find the man’s teenage son. We discuss how the film takes on the gentle rhythms of its aged star’s physical movements, the sweetness and generosity of its approach, and how satisfying it is to watch Eastwood slowly pet animals that are clearly calmed by his presence. The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Bill Teck on Twitter: twitter.com/billteck Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Aleksei German month at The Pink Smoke kicks off with this primer spearheaded by Martin Kessler of the Flixwise: Canada podcast. Kessler is one of the English-speaking world's leading authorities on German - this episode is intended as an entry-point into the filmmaker's work, a titan of Russian cinema who remains surprisingly unknown outside of his native land.

Hosts Christopher Funderburg and John Cribbs dig into the work of the Belgian author Georges Simenon via his crime novel La tête d’un homme, featuring his wildly popular character Inspector Maigret. The ultra-prolific Simenon wrote 11 novels in 1931, the year that he wrote La tête, and rarely slowed down during his legendary career - even at the reduced pace of his later years, he would purportedly write a novel in 11 days. La tête d’un homme (also known as A Man’s Head or Maigret’s War of Nerves) begins with the story of a prisoner escaping from prison... with the unexpected help of Maigret. From there, it builds to a confrontation with a criminal whose manner & belief system disturbs the detective on a profound level. It’s a classic of detective fiction - we discuss its place in culture, the film adaptations, and how to approach Simenon’s work even as a total novice. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site:
 www.thepinksmoke.com The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Christopher Funderburg on Twitter:
 twitter.com/cfunderburg John Cribbs on Twitter: 
twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two”
 Outro music: Marcus Pinn / “Vegas"

How do you solve the aesthetic-philosophical problem of Michael Ritchie, the not-quite-auteur/not-quite-journeyman director of satirical social comedies like The Candidate and Smile and such eccentric comedy classics as The Bad News Bears and Fletch? Christopher Funderburg and John Cribbs decided to go at it the hard way by diving into Prime Cut, Ritchie's sort-of second feature (it debuted a day before The Candidate) - hands-down his weirdest and nastiest movie. What on the page seems like an easy grand slam - a 70's crime thriller that pits an M76-packing Lee Marvin against Gene Hackman under the vast and gorgeous Kansas sky - is in practice more an outlandish curio with its scenes of mob rivals fed through a slaughterhouse, young naked women auctioned in pens like cattle and extended set piece featuring Marvin and rookie star Sissy Spacek running from a deadly combine harvester that threatens to harvest them. Is it a case of Ritchie tripping himself up, finding his sensibilities as a filmmaker at odds with the gritty material, or is there more to it than that? Join us in appreciating the clear merits and murkier demerits of this bizarre tale of meat and machine guns. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

"Bright blazing intuitions may go rushing through a man’s mind, swifter and more terrible than lightning, flashing over a landscape that seems clear in every detail. Then they go out, and there is only a greater blackness." Nothing is what it seems - unless everything is what it seems - in the account of an eloping couple's ill-fated voyage from New York to Vermont. What strange fate befell this Amish-raised lollapalooza and her gabardine suit-garbed coxcomb on a backroad in the Berkshires? And what does it have to do with a freckled-faced city surgeon, a refugee Basque surrealist artist, the author of an arduous text on psychopathology and the postmaster of Whippleville? Joel Townsley Rogers's The Red Right Hand is a cipher of crime fiction, a phantasmagoria of molds, tramps, ration books, brain surgery, eyeless houses, sawdust sinkholes, red-eyed rattlesnakes, prewar crepe-soled sports shoes and the beautiful dance of the corkscrew and the bottle. Confused? That's only to be expected when you make the turn onto the old Swamp Road and find yourself transfixed by the chimerical logic of what seems like a straightforward story of murder until it distorts and disorients the narrative into a truly unique reading experience. In this episode, Christopher Funderburg & John Cribbs veer into this Bermuda Triangle of murky prose - is it all pulp and circumstance or a meticulously fathomless work of art? Together they wade through Rogers's curious cast of characters, casual allusions to alternative history and obsessive repetition of superficially trivial details to reach the elusive epicenter of this crazy book, the very definition of a cult classic. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter:
 twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two”
 Outro music: Marcus Pinn / “Vegas"

Hosts Christopher Funderburg & John Cribbs are joined by Professor of Sociology John Balzarini to discuss the latest installment in the Marvel Comics Universe.

“Don’t gush over the sea. It’s always been there.” It's a “Jean Gabin is getting too for this shit” double feature! On this episode, hosts Christopher Funderburg and John Cribbs discuss two unforgettable French crime films: Jacques Becker's Touchez pas au grisbi (1954) and Henri Verneuil's Any Number Can Win (1963), both starring the grandfather of quiet cool, M. Jean Gabin. Playing aging gangsters intent on making off with that last big score, the legendary leading man slipped into these late-career roles like a comfy pair of silk pajamas - and looked amazing in those pajamas, too. Eyeing longtime Pink Smoke favorite Grisbi like a coveted bar of gold, the guys question why it's so difficult to contextualize such an obvious masterpiece, its director's place in cinema history and what the movie is really about. They compare it to Verneuil's later film, which also features Alain Delon as a (gorgeous) young thug enlisted by Gabin to heist a seaside casino. Both movies are fun, sad, sexy and poetic as any great French crime film, but most importantly they help establish the difference between a gentleman and a pimp. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site: 
www.thepinksmoke.com The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Christopher Funderburg on Twitter:
 twitter.com/cfunderburg John Cribbs on Twitter: 
twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” 
Outro music: Marcus Pinn / “Vegas”

“The more you struggle, the more new passages you make in the labyrinth, the more the box is like another layer of outer skin that grows from the body, and the inner arrangement is made more and more complex.” On this episode, hosts John Cribbs & Christopher Funderburg climb into a corrugated cardboard nightmare and explore Kobo Abe’s delightfully bizarre The Box Man. Best known for his work with Hiroshi Teshigahara on the film adaptation of his novels (including The Face of Another and Woman in the Dunes), Abe was one of the most brilliant and original novelists of the 20th century. The conversation covers the book’s elliptical, elusive, free-flowing structure and evasive narrative truth, whether Abe is unfairly overlooked due to his association with Teshigahara, and where the book fits into the history of literature (in the context of Abe’s aggressive rejection of Japanese culture). Listen as Funderburg, a total Abe novice, discovers a new favorite author and Cribbs offers suggestions on how to approach Abe’s intimidating oeuvre. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site:
 www.thepinksmoke.com The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Christopher Funderburg on Twitter:
 twitter.com/cfunderburg John Cribbs on Twitter: 
twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” 
Outro music: Marcus Pinn / “Vegas”

Join hosts John Cribbs & Christopher Funderburg for a deep dive into Henry James’ The Turn of the Screw and its cinematic adaptations. The story of a naive governess & her innocent charges is the quintessential ghost story, a metaphorical exploration of abuse, theodicy and the ways in which adults let down the children around them. Some of the adaptations discussed include Jack Clayton’s 1961 masterpiece The Innocents, Michael Winner’s surprisingly erudite and unsurprisingly tasteless prequel The Nightcomers and the recent work of irredeemable stupidity The Turning (which reimagines the story as a grunge-era Stephen King knock-off.) The Pink Smoke site:
 www.thepinksmoke.com Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter:
 twitter.com/TheLastMachine Christopher Funderburg on Twitter: 
twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

“Nostalgia is one of our saving graces.” On the latest episode, hosts John Cribbs and Christopher Funderburg take things back to their heroic bloodshed drenched pasts to discuss John Woo’s ne plus ultra of Hong Kong action cinema, Hard Boiled. Like many a greasy teenage malcontent in the early 90s, their exposure to the films of John Woo was key in setting them on a life-path of undeviating film nerd-dom. Join them as they discuss their shared love of Tequila, rice like family, one corrupt cop, one vicious hitman and 10,000 bullets - it’s a celebration of John Woo’s golden age with a focus on Hard Boiled, the film that took an extreme sub-genre to its extremes, the extremity of extremity. Their conversation touches on the importance of melodrama and big emotions in heroic bloodshed films, the surprising similarities of the careers of John Woo and Wong Kar-Wai, and the sheer joyful awesomeness of massive action sequences. It’s as purely celebratory as the show gets. Support our Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke site: 

www.thepinksmoke.com The Pink Smoke on Twitter: 

twitter.com/thepinksmoke Christopher Funderburg on Twitter:

 twitter.com/cfunderburg John Cribbs on Twitter:

 twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two”

 Outro music: Marcus Pinn / “Vegas”

Hosts Christopher Funderburg & John Cribbs are joined by filmmaker Bill Teck to discuss RICHARD JEWELL. The latest film director by Clint Eastwood, it's the true story of an Atlanta security guard falsely accused by the FBI and Atlanta-Journal Constitution of planting bombs at the 1996 Olympics. The discussion turns from Paul Walter Hauser's astounding performance (and checkered Juggalo history) to the media environment surrounding domestic terrorism in 1996 to how Eastwood's unadorned style impresses without going in for the big show-off moments. The Pink Smoke site: www.thepinksmoke.com/ Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke Bill Teck on Twitter: twitter.com/billteck John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

This is a deeply personal episode, so indulge us. For their 50th wedding anniversary, we’re joined by host Christopher Funderburg’s parents to discuss the film that brought them together: Mike Nichols’ 1967 countercultural comedy, The Graduate. Along with co-host John Cribbs, they get into it all: the history of both their relationship and the film itself. We discuss what the film meant to their generation, the cultural conflicts between the Los Angeles types in the film and audiences in Murray Kentucky, the novel on which the film is based, and (of course) plastics. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site: 
www.thepinksmoke.com The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Christopher Funderburg on Twitter: 
twitter.com/cfunderburg John Cribbs on Twitter: 
twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” 
Outro music: Marcus Pinn / “Vegas”

Abel Ferrara has been making films for nearly 50 years without compromising his unique, provocative, unflinchingly autobiographical vision. In this episode we invited special guests Marcus Pinn and John Frankensteiner to discuss Ferrara's four narrative films from the last decade: his farewell to New York City in 4:44 Last Day on Earth, his return to a very different kind of city in Welcome to New York, a chronicle of the last days of a filmmaking legend with Pasolini and the brutal self-examination that is his latest film, the Rome-set roman à clef Tommaso starring Willem Dafoe. Marcus previously appeared on an episode of the podcast The Wrong Reel to discuss Ferrara's full filmography. We pick up the thread here by talking about how this particular Ferr-era of 2010 to 2019 fits into the scope of his long career, his evolution as an artist, his past and his future. The Pink Smoke site:
 www.thepinksmoke.com Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke on Twitter: 
twitter.com/thepinksmoke John Cribbs on Twitter: 
twitter.com/TheLastMachine John Frankensteiner on Twitter: https://twitter.com/JFrankensteiner Marcus Pinn on Twitter: https://twitter.com/PINNLAND_EMPIRE Intro & outro music by the man himself, Marcus Pinn of Pinnland Empire.

On this episode of The Pink Smoke podcast, host John Cribbs is joined by Amanda Gilbert to discuss Alex Garland's Annihilation. The Pink Smoke site: www.thepinksmoke.com/ The Pink Smoke on Twitter: twitter.com/thepinksmoke PSP theme music by Marcus Pinn: http://www.pinnlandempire.com/

On the inaugural episode of The Pink Smoke podcast, we tackle Michael Haneke's semi-sequel to Amour & discuss whether the filmmaker is entering a new phase of his career. Join hosts Christopher Funderburg & John Cribbs as they enter a new phase of their professional lives. One in which they have a podcast. The Pink Smoke site: http://www.thepinksmoke.com/ The Pink Smoke on Twitter: https://twitter.com/thepinksmoke Theme music by Marcus Pinn of Pinnland Empire.

"The rat had taken some pleasure in attacking a member of the human race, one with the same smell as the big ones." We’re joined by regular guest & noted animal-lover Wendy Mays to discuss Patricia Highsmith’s THE ANIMAL-LOVER’S BOOK OF BEASTLY MURDER! This collection of short stories follows a series of creatures from elephant to cat to rat to cockroach that find themselves wrapped up in murder, robbery and all manner of unsettling Highsmithian mayhem. Previously having joined us to discuss the novels FERAL and PET SEMATARY, Mays returns to dig into these moral tales about animals encountering the worst of humanity has to offer. The stories, ranging in tone from sentimental to blackly comic, represent Highsmith on a strange and experimental artistic tangent. Join us to find out about the bravest rat in Venice, the greediest pig in France and the cat burglar that was actually a monkey. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Wendy Mays on Twitter: https://twitter.com/meowmays The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Of all the overlooked, misunderstood films directed by Tobe Hooper, Spontaneous Combustion remains one of the most overlooked and misunderstood. There are few viewing experiences as shocking and tragically poetic as watching human nuclear meltdown Brad Dourif expel flames from his body as smoke pours out of him like the tip of a lit cigar. On this episode, hosts John Cribbs & Christopher Funderburg invite Stan Giesea, author of Charred Remains - an account of his time on the set of Spontaneous Combustion - to talk about his experience behind-the-scenes of the most genuinely weird and fascinating metaphysical thrillers ever produced. They discuss what makes this movie, a tale of corruption and individual cataclysm yet a love story at its core, an essential part of the late master's work. Support our Patreon: https://www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Stan Giesea on Twitter: twitter.com/stangiesea The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

It was inevitable that our decade-spanning reappraisal of the James Bond franchise would hit the Pierce Brosnan period, but rather than return to die another day host John Cribbs and special guest John Arminio go full-tilt into all four films running from 1995 to 2002. Following Bond's evolution in an era of megalomaniacal media moguls, invisible cars and Dr. Christmas Jones, they question whether the charismatic Irishman ever really found his footing as the fabled spy or if his efforts were simply not enough. Topics covered as Cribbs & Arminio bungee jump into each film include the celebrated N64 Goldeneye video game, Donald E. Westlake's unproduced Bond script, the bizarre parting sentiment of Desmond Llewelyn's Q and striking contrast in quality between the first and second half of Brosnan's final 007 adventure. Do these movies really mark the low ebb of the series, or are there things to love about the Pierce years? And don’t fail in your duty to check out our previous Bond episodes: Bond in the 80s I: http://thepinksmoke.com/PSP62Bondinthe80sI.html Bond in the 80s II: http://thepinksmoke.com/PSP63Bondinthe80sII.html Bond in the 70s: soundcloud: https://soundcloud.com/user-564624820/psp-ep58-james-bond-in-the-70 spotify: https://open.spotify.com/episode/2t6MQIIbFBKzzKfdtZaQ9x apple podcasts: https://podcasts.apple.com/us/podcast/ep-58-james-bond-in-the-70s/id1529803112?i=1000489551247 Bond in the 60s: soundcloud: https://soundcloud.com/user-564624820/psp-ep52-james-bond-in-the-60s spotify: https://open.spotify.com/episode/3g6UHop4amOmuBpljaxx3F apple podcasts: https://podcasts.apple.com/us/podcast/ep-52-james-bond-in-the-60s/id1529803112?i=1000506773799 The Pink Smoke site: www.thepinksmoke.com Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Arminio on Twitter: twitter.com/QuasarSniffer John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Hosts John Cribbs and Christopher Funderburg discuss Patricia Highsmith’s 1960 crime novel, This Sweet Sickness. The novel follows a stalker who constructs a perfect marriage in his mind and goes to horrifying extremes to make that vision of domestic bliss a reality. It’s a book about the psychosis of a romantic worldview, about the insanity lurking behind the ideas of a One True Love. The Pink Smoke site: 
www.thepinksmoke.com Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter:
 twitter.com/TheLastMachine Christopher Funderburg on Twitter: 
twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

Hosts John Cribbs & Christopher Funderburg sit down to pay tribute to one of the greatest screenwriters who ever lived, Jean-Claude Carrière. When Carrière recently passed away the hosts decided to pick a handful of the writer’s films to discuss as a way of exploring his long and incredibly varied career. From his career-defining work with Luis Buñuel to his long-running associations with filmmakers including Miloš Forman & Pierre Étaix to his more off-beat one-off projects, few screenwriters were as fearless & unpredictable. Carrière’s career began in the early 60’s & spanned decades - he kept working right up until the end, with screen credits as recently as 2019. This is our remembrance of the novelist, ghost-writer, conversationalist, adapter and screenwriter who collaborated with everyone from Umberto Eco to Nagisa Ōshima to the Dalai Lama. Rest in peace, Carrière. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

“Who speaks of realism here?” This is it: our mammoth exploration of the work of Japanese iconoclast Seijun Suzuki. Hosts Christopher Funderburg & John Cribbs are joined by poster illustrator and peerless cinephile Tony Stella to examine the legendarily idiosyncratic and uncontrollable director. From Suzuki’s start as an impossibly lazy assistant director at Shochiku to his his period as a relentlessly prolific genre filmmaker at Nikkatsu to his second act as an esteemed independent artist. His films long-suppressed by Nikkatsu and unknown outside of his native country, Suzuki’s reputation took off in America in the 90s when filmmakers like Quentin Tarantino and Jim Jarmusch sang his praises (Jarmusch’s Ghost Dog is famously an extended homage to Suzuki’s career-breaking Branded to Kill); after a few tumultuous decades, Suzuki finally achieved the international renown he deserved. Join us as we follow the director’s journey, beat by beat, film by film; from his early “youth in revolt” films like Everything Goes Wrong to his wild genre experiments like Youth of the Beast & Tokyo Drifter to his notorious “flesh trilogy” that caps off his early career with the brilliant Carmen from Kawachi. We go after it all: the Taisho trilogy, his Lupin III anime, his golf comedy, his late-period curtain call. It’s here, the most comprehensive podcast study of a filmmaker like no other. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Tony Stella on Twitter: twitter.com/studiotstella Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Host John Cribbs is joined by John Arminio to discuss the James Bond films of the 60s. Looking at what many fans consider the series’ untouchable golden age, Cribbs & Arminio go film by film through every cinematic portrayal of Bond in the decade, not even skipping over 1967’s Casino Royale! Starting with Dr. No and Ursula Andress (as iconic as Venus de Milo) emerging from the ocean, touching on the duo’s consensus for the best film in the series, and capping off the conversation with a discussion of the series’ transition away from lead actor Sean Connery to George Lazenby with the undervalued On Her Majesty’s Secret Service, Cribbs & Arminio drill down into what makes that era of Bond films so irresistible! The Pink Smoke site:
 www.thepinksmoke.com Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter: 
twitter.com/TheLastMachine John Arminio on Twitter:
 twitter.com/QuasarSniffer Intro & outro music by Marcus Pinn of Pinnland Empire.

On this month's pulp fiction episode, Funderburg & Cribbs discussed former cop Joseph Wambaugh's brutal, depressing & hilarious Hollywood conspiracy thriller, The Glitter Dome. It's a masterpiece of the "sleazy cop" genre that depicts a world of casual racism, violence, and depravity in a chaotic story about cops wildly failing to live up their duty.

“Most great art has been commission work. Bernini didn’t sit around making statues because he liked making statues, he did it because Pope So-and-so wanted a bust of himself on his elaborate tomb… Rembrandt, I’m sure, would’ve been happier doing something other than painting fat businessmen most of his life.” No name is as synonymous with the art of novelization as “Alan Dean Foster,” known for his work reverse engineering novels out of films like The Thing, Alien and, most of all, Star Wars. We’re joined by the prolific sci-fi author to discuss his storied career - the novelizations, continuation novels and original work - in the context of his recent dispute with the Disney corporation over unpaid royalties after their acquisition of Lucasfilm and 20th Century Fox. We start at the beginning with his adaptation of a crummy Italian gender-swapped Tarzan rip-off before the conversation explores everything from when Frank Frazetta’s artwork suggests stories far more compelling than the source they’re portraying, why world-building in novelistic writing is the same in original stories or adaptations, and how he came to write the first Star Wars expanded universe novel Splinter of the Mind’s Eye (which spawned an entire ecosystem of ancillary material.) Foster is a legend in his field and this discussion explores his crucial role in modern pop culture - and why the Disney company’s ambivalence about paying him the royalty money he’s unquestionably owed is so repellent in a larger context that extends beyond Foster himself. The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

“We’re tigers, the three of us, but who the hell are we to make decisions for the world just because we’re compulsive?” For this special international episode, we’re joined by Nicolás Virviescas and Daniel Castro, founders of the Colombian online film criticism portal Filmigrana. Our guests selected Alfred Bester’s The Stars My Destination to discuss for the occasion, the story of a stranded astronaut whose only motivation for survival is revenge. The book, a favorite of filmmaker John Carpenter, recalls the work of William Gibson, Stephen King, J.G. Ballard, Philip K. Dick and Warren Ellis - despite being written in 1956 before any of those artists came to prominence. Join us for this NYC to Bogota transmission of our thoughts on the book’s sci-fi satire, violence, betrayal and metaphysics - it’s William Blake meets psycho-surgery, The Count of Monte Cristo & corporate espionage in Bester’s cult classic. Support our Patreon: www.patreon.com/thepinksmoke The Filmigrana site: https://filmigrana.com/ The Pink Smoke site: www.thepinksmoke.com Nicolás Virviescas on Twitter: https://twitter.com/valticam The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Host John Cribbs is joined by Emmy-winning editor/producer & longtime Pink Smoke contributor Eric Pfriender to discuss the soundtrack work of Tangerine Dream, the experimental music conglomeration best known for their scores for films like Risky Business, Sorcerer, Thief and Near Dark. Inspired by the recent re-release of Sorcerer’s soundtrack (featuring cover art by the great Tony Stella!), this is an in-depth exploration of pulsating electronic psychedelia that feels like a chase scene leading straight into despair. Way more Ghost Dad talk than you were expecting, guaranteed. The Pink Smoke site: www.thepinksmoke.com/ Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

Hosts John Cribbs & Christopher Funderburg are joined by filmmaker, podcaster & critic Martin Kessler to discuss his new book, Maya Non Grata. An exploration of Apocalyto’s bizarre relationship to history, historicism and art, Kessler’s authorial debut is available for only $2 via our Patreon: patreon.com/posts/44478461 The group discusses this a deeply strange Hollywood action flick set at the dawn of European conquest of the Yucatan peninsula, a vanity project by disreputable actor-turned-director Mel Gibson. Maya Non Grata is Martin Kessler's engaging, meticulously researched odyssey into the controversies surrounding Gibson's representation of historic Mesoamerica, diving deep into the film's idiosyncratic approach to period drama and addressing the charges of inaccuracy leveled at its depiction of a nearly-vanquished culture. Kessler takes an inquisitive approach to Apocalypto's peculiar relationship to the spotty historical record concerning the post-Classic Maya, attempting to unravel the elusive historical truth and exploring the film's frequent whimsical reliance on the idea that "there's no reason this couldn't have happened." In 138 captivating pages, the author examines his own relationship to the movie - Kessler's deeply personal, colloquial, unpredictable book considers the question, "What does art owe to history?" The Pink Smoke site: www.thepinksmoke.com Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Martin Kessler on Twitter: https://twitter.com/MovieKessler Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

“There wasn’t a word for the way he felt about Melinda, for that combination of loathing and devotion.” Hosts John Cribbs & Christopher Funderburg discuss Patricia Highsmith’s 1957 novel, Deep Water, a cruel and curious marital thriller about a shamelessly philandering housewife and the seemingly meek husband who not only puts up with her affairs but invites her paramours into their home. Highsmith’s 5th novel might be her masterpiece; the writing combines the author’s cutting psychological insights with a slow-burning plot organized around capricious lies and equally capricious murders. It’s the story of slugs, a small press specializing in poetry, and when an unwillingness to address domestic strife becomes a kind of dangerous psychosis. The Pink Smoke site: www.thepinksmoke.com Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Hosts John Cribbs and Christopher Funderburg turn their attention to one of the most mysterious films from the golden age of Jean Renoir’s filmmaking career: 1932’s La Nuit du Carrefour. Despite being championed by André Bazin and described by Jean-Luc Godard as “the only great French detective film,” this film remains possibly the most obscure work produced by Renoir in the 1930’s. Adapted from a book by the punishingly prolific Belgian crime novelist Georges Simenon, the film serves as the first cinematic depiction of the author’s wildly popular Inspector Maigret - a character who appeared in 75 novels and 28 short stories in addition to innumerable films and tv adaptations. The conversation considers the strange place of the film in Renoir’s body of work, the synergy of Simenon and Renoir’s artistic sensibilities, and how to tell who will be the villain in any given Renoir film just by looking at them. The Pink Smoke site: www.thepinksmoke.com Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter:
 twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

"She is all merciless night animal...yet with a wisdom that goes back to Egypt and beyond - and which is invaluable to me. For she is my spy on buildings, you see, my intelligencer on metropolitan megastructures. She knows their secrets and their secret weaknesses, their ponderous rhythms and dark songs. And she herself is secret as their shadows. She is my Queen of Night, Our Lady of Darkness." In two books written nearly 25 years apart, "weird fiction" guru Fritz Leiber examined how ancient witchcraft and black magic continue to prey malignantly on unsuspecting contemporary characters deeply entrenched in the rational. Whether it's faculty wives hexing a sociology professor in CONJURE WIFE or the paramental entities tormenting a writer in San Francisco in OUR LADY OF DARKNESS, Leiber sees modern life as a conduit for a "new science" of the supernatural, which we dig into with this horror-themed October episode! Our guest is Rebecca Baumann, head of public services at Lilly Library, curator of the 2018 exhibition Frankenstein 200: The Birth, Life and Resurrection of Mary Shelley's Monster and avid collector of genre fiction. Baumann shares her take on these essential "weird" tales as well as details of Leiber's life that offer rare insight into his perspective on femininity. (Also on how to pronounce his name, which John gets wrong through most of the episode.) The Pink Smoke site: 
www.thepinksmoke.com Support our Patreon: www.patreon.com/thepinksmoke For the Frankenstein 200 book: https://iupress.org/9780253039057/frankenstein-200/ Hellebore issue discussed in the episode: https://helleborezine.bigcartel.com/product/hellebore-3-the-malefice-issue The Pink Smoke on Twitter:
 twitter.com/thepinksmoke Rebecca Baumann on Twitter: twitter.com/arkhamlibrarian John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Hosts Christopher Funderburg & John Cribbs are joined by filmmaker & professor Mtume Gant (Whiteface, Spit) to discuss Elem Klimov's shattering WWII phantasmagoria, Come & See. The conversation touches on the function of even the best war films as righteous propaganda, extreme cinema, the film's relationship to post-War cinema in Japan & Germany as well as Tango & Cash's deep connections to Andrei Tarkovsky. It's a surprisingly light-hearted episode about an incredibly tough film. The Pink Smoke site:
 www.thepinksmoke.com Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter:
 twitter.com/TheLastMachine Christopher Funderburg on Twitter: 
twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

We’re joined by screenwriter Tom Vaughan (Winchester, Unstoppable) to discuss his picks for the 10 greatest horror screenplays ever written. From consensus classics like Dan O’Bannon’s script for Alien and Joseph Stefano’s work on Psycho, to offbeat choices like the remake of The Blob, the conversation digs into what makes for brilliant writing in a genre where the art of the screenplay often gets overlooked. Vaughan breaks down Howard Hawks' maxim that a great film is "three good scenes and no bad ones," the importance of scene work, what constitutes "cheating" in a narrative, and how to breathe life into clichés, homages and remakes. An in-depth conversation about craft and how legendary films lay their foundation before the shooting starts. The Pink Smoke site:
 www.thepinksmoke.com Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Tom Vaughan on Twitter:
 twitter.com/tomvaughan John Cribbs on Twitter:
 twitter.com/TheLastMachine Christopher Funderburg on Twitter:
 twitter.com/CFunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

“I don’t know where that ham came from, she thought. And I’m not going to think about it. Ever.” We’re joined by writer Steven Sheil to discuss a book of his own selecting: Elisabeth Sanxay Holding’s The Blank Wall. Sheil is the screenwriter and director of Mum & Dad, Dead Mine and Unmade as well as the co-curator of The Mayhem Film Festival in Nottingham. Holding’s “domestic noir” provided the basis for 2001’s The Deep End starring Tilda Swinton and Max Ophüls’ The Reckless Moment - it’s the story of an average housewife who finds herself wrapped up in manslaughter, blackmail & all manner of mayhem seemingly at odds with her gentle, genteel character. The Pink Smoke site:
 www.thepinksmoke.com Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Steven Sheil on Twitter:
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 twitter.com/CFunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

In Part Two of our look at “James Bond in the 80's" the focus shifts to the unjustly-maligned Timothy Dalton films that wrapped up the decade. We welcome back John Arminio to discuss the real-life inspirations for The Living Daylights, why a more humorless tone was rejected by audiences with the Dalton films but celebrated in the Daniel Craig era, why it was for the best that Sam Neil wasn’t cast as 007 (despite his aces work in Reilly, Ace of Spies) and how the ultimate Cold War military icon faced the end of the Cold War. The Pink Smoke site: www.thepinksmoke.com Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Arminio on Twitter: https://twitter.com/QuasarSniffer John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

On this episode, hosts Christopher Funderburg & John Cribbs are joined by Lisi Russell to discuss her husband Ken Russell’s BBC biopic of Richard Strauss, The Dance of the Seven Veils. The controversial film, suppressed since its premiere in 1970, recently screened for the public for the first time in five decades. Russell’s angry and uncompromising film mixes a Monty Python-esque sense of satire with a harsh critique of cultural institutions across the spectrum for a depiction of Strauss that absolutely refuses to forgive the influential composer for his strained and tense collaboration with the ruling Nazi party. The conversation explores whether this is a fair portrayal of Strauss (who lost family in the holocaust), how the film may serve as an auto-critique of Russell himself, the slippery nature of campy comedy, and the ways in which an artist may take a intransigent position in their artwork as a way of exploring the most difficult aspects of an ambiguous situation. The Pink Smoke site:
 www.thepinksmoke.com Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter: 
twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

In this episode, we take a look at a double-bill of classic Florida pulp fiction: John D. MacDonald’s Darker Than Amber (the seventh novel in his Travis McGee series) and Charles Willeford’s Miami Blues (the first novel in his Hoke Moseley series). We’re joined by director and "Mr. Miami" Bill Teck to discuss the novels, the sense his Cuban heritage gives him of the the state’s history, the changes in crime between the 1967 publication of Amber and Blues in 1984 as well as the nuances of Floridalia ranging from Miami Dade Community College to Granny Feelgood’s to depressing top-sider bars in Fort Lauderdale. The Pink Smoke site:
 www.thepinksmoke.com Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter :
twitter.com/thepinksmoke John Cribbs on Twitter:
 twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

From crossbow bolt-ruined dives to detective-dispatching poison-tipped butterflies, the final run of Roger Moore as Commander James Bond was infused with the thrilling drive of 1980's action cinema. We welcome back John Arminio to tackle this transitional era of the 007 franchise: Moore's last three movies (For Your Eyes Only, Octopussy and A View to a Kill) as well as the rival Bond film Never Say Never Again, starring Sean Connery and released by Warner Brothers to go head-to-head with Eon's long-running franchise. In this episode of our film-by-film examination of the entire Bond series, you'll learn the identity of Arminio's favorite henchman, the nickname of Patick Macnee's jockey father, why Kevin McClory's cash-grab of a competing Bond movie was a blessing in disguise and much more! This is Part One of "James Bond in the 80's." Part Two will deal with the Timothy Dalton-starring films that wrapped up the decade. The Pink Smoke site:
 www.thepinksmoke.com Support our Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke on Twitter: 
twitter.com/thepinksmoke John Arminio on Twitter: https://twitter.com/QuasarSniffer John Cribbs on Twitter:
 twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Hosts John Cribbs & Christopher Funderburg welcome Flixwise: Cananda host Martin Kessler to the program to discuss the hardships of being a god, psychedelic science-fiction, translations of Faust done by pseudo-arachnids & whether the spider spinning its web in the bottom of a mug it can't escape experiences a sense of hopelessness. The only possible contexts for these subjects: Philip K. Dick. In this episode they look at one of Dick's more overlooked novels, Galactic Pot-Healer, the story of a depressed craftsman offered the chance to redeem his life by a mysterious creature known as "the Glimmung" - or "Dwight L. Glimmung" when it calls into radio shows. The Pink Smoke site: www.thepinksmoke.com/ Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke Martin Kessler on Twitter: twitter.com/MovieKessler John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

To celebrate the 100th anniversary of its publication, hosts John Cribbs & Christopher Funderburg dig into Johhston McCulley's THE CURSE OF CAPISTRANO, the serialized swashbuckling tale that spawned one of the genre's immortal heros - Zorro! Strap in for an episode that covers the swashbuckling genre on the whole, from Douglas Fairbanks leaving his mark on Zorro to the Swishbuckler parodies of the late 70's/early 80's to the classic Dumas vs. Sabatini debate. The Pink Smoke site: www.thepinksmoke.com/ Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

In this episode hosts John Cribbs & Christopher Funderburg are joined by Zebras in America's Marcus Pinn to discuss the trio's most anticipated films of the year, Zama & Let the Sunshine In! Zebras in America: https://soundcloud.com/zebras-in-america The Pink Smoke: http://thepinksmoke.com/ PSP theme-song by the same damn guy, Marcus Pinn!

Just in time for Halloween, hosts John Cribbs & Christopher Funderburg are joined by board-certified Cryptologist Stephanie Crawford (of The Screamcast & Dread Central) to count down their Top 5 favorite Tales from the Crypt episodes! The discussion covers everything you would expect: Morton Downey Jr., Bruce Boxleitner's hair replacement system, Dick Donner and Vanity's two best films. Follow us on Twitter: Stephanie Crawford: https://twitter.com/scrawfish John Cribbs: https://twitter.com/TheLastMachine The Pink Smoke: https://twitter.com/thepinksmoke And read some articles on our website while you're at it: http://thepinksmoke.com/

This month's episode looks at documentary filmmaker Errol Morris' new book, THE ASHTRAY. The book looks at the philosophical schism between Morris and Thomas Kuhn which caused Morris' then-professor Kuhn to throw an ashtray at the legendary documentary filmmaker's head. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site: 
www.thepinksmoke.com The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Christopher Funderburg on Twitter:
 twitter.com/cfunderburg John Cribbs on Twitter: 
twitter.com/TheLastMachine Intro/
Outro music: Marcus Pinn / “Vegas”

Episode 2 welcomes Brian Saur of the "Rupert Pupkin Speaks" blog and Pure Cinema Podcast to discuss Joe Dante's use of character actors! An enthusiastic look at what these performers bring to classic films like Gremlins, The 'Burbs and Innerspace. From Dick Miller to Robert Picardo to Rance Howard and everyone in between, it's a look at the some of the most beloved cult favorites in the history of le cinema. It's an episode celebrating the new partnership between Pure Cinema Podcast and The Pink Smoke by digging into a shared obsession! The Pink Smoke site: http://www.thepinksmoke.com/ The Pink Smoke on Twitter: https://twitter.com/thepinksmoke Pure Cinema Podcast: http://thepinksmoke.com/purecinemapodcast.html Rupert Pupkin Speaks: http://www.rupertpupkinspeaks.com/ Just the Discs podcast: https://justthediscs.libsyn.com/ Theme music, as always, by Marcus Pinn of Pinnland Empire.

For Halloween. Just in time for Halloween. A Halloween treat. The first episode of The Pink Smoke podcast to focus on pulp fiction, John Cribbs & Christopher Funderburg explore the Frankenstein continuation novels written by none other than the greatest screenwriter of all-time, Jean-Claude Carrière! Carrière is best known as the writer of The Discreet Charm of the Bourgeoisie, The Tin Drum, The Unbearable Lightness of Being, Valmont, Belle de Jour & The Return of Martin Guerre - but Frankenstein's Tower points more towards his work for Jess Franco. Join us for a conversation about a deeply weird & sloppy book from a deeply talented & precise writer. Additional Infotainment: The Pink Smoke podcast will now feature TWO episodes a month, one focused on new cinema & the other looking at pulp novels - both episodes will initially be only available to our Patreon subscribers!

The immortal Casca, the solider cursed by Jesus to remain as he is until the Second Coming. This month's pulp fiction-oriented episode takes a look at the blood-and-vileness-soaked military fantasy from Barry Sadler, best known as the one-hit wonder behind the 1966 tune The Ballad of the Green Berets. Hosts Christopher Funderburg & John Cribbs are joined by Martin Kessler of Flixwise: Canada to discuss the film's atrocious racial & sexual politics, bizarre sense of history and deep-seated insanity. Flixwise: Canada: http://flixwise.com/category/episodes/flixwise-canada/ The Pink Smoke: http://thepinksmoke.com/ John Cribbs, Martin Kessler & Christopher Funderburg on Twitter: https://twitter.com/thelastmachine https://twitter.com/moviekessler https://twitter.com/cfunderburg

Hosts John Cribbs & Christopher Funderburg are joined by (who else?) Wendy Mays of the Pet Cinematary podcast to discuss both Stephen King's novel and the recent adaptation of Pet Sematary! The conversation features a discussion of why filmmakers always attempt to "fix" King's work, the nature of grief in horror cinema and an all-hamster remake of The Virgin Suicides.

On this episode of The Pink Smoke podcast, hosts John Cribbs & Christopher Funderburg cover a fictionalized take on the Manson Family, a beautiful actress caught in a web of violence & the seedy side of Hollywood. That’s right: we’re going deep on Columbo: The Helter Skelter Murders. This continuation novel from 1994 by author William Harrington surprisingly manages to eschew total tastelessness and even guides the hosts from Columbo novices into budding super-fans. Get reeled in by the illiterate slogans scribbled in blood on the walls of a fabulous mansion, stay for the goofy limericks & descriptions of bowls of chili.

On this Pulp Fictions episode, hosts John Cribbs & Christopher Funderburg discuss five short stories from Japanese writer Edogawa Ranpo, the master of "ero guro nansensu" or "erotic, grotesque nonsense." One of the true masters of the murky border where horror fiction bleeds into crime fiction, Ranpo is one of the 20th century's greatest genre fiction writers whose name deserves to be spoken alongside Poe & Lovecraft.

Martin Kessler, who previously brought books about an immortal centurion and an omnipotent alien god to the podcast, returns to discuss The Ninth Configuration by William Peter Blatty. A reworking of the Exorcist author's 1966 novel Twinkle Twinkle Killer Kane! and basis for his 1980 movie, Configuration is set at Center Eighteen, a military sanitarium in an isolated castle deep in the Washington woods. Rehearsal for Shakespeare plays starring dogs and the sledgehammering of uncooperative atoms are only some of the routine events witnessed by the new enigmatic head psychiatrist, a man determined to learn why one of the inmates freaked out during a scheduled space mission and refused to go to the moon. It's a unique and intimate novel full of the kind of theological discourses Blatty explored in all his best-known work. Among other topics, Kessler talks with hosts Christopher Funderburg and John Cribbs about how Blatty's comedy background shaped the tone of the book, the existential horror of dying in space and the problem of the world's smartest dog. The Pink Smoke site:
 www.thepinksmoke.com Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke on Twitter: 
twitter.com/thepinksmoke John Cribbs on Twitter:
 twitter.com/TheLastMachine Christopher Funderburg on Twitter:
 twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

"Had she asked him to lie down and die for her then and there, he would have been glad to do it, and glad of her having asked it, as well." Amour fou is the flavor of this episode, in which hosts John Cribbs and Christopher Funderburg delve into the longest and most experimental novel written by crime fiction legend Cornell Woolrich. The book, 1947's Waltz Into Darkness, begins as the straight-forward story of a New Orleans lonelyheart targeted by a beautiful, conniving imposter but becomes something else entirely once he meets her again and finds that his obsession outweighs his need for vengeance. For more Woolrich goodness, join our Patreon for access to a feature-length commentary on Tobe Hooper's 1990 TV movie I'm Dangerous Tonight, the greatest cursed Aztec cloak-turned-into-cocktail dress film ever made. Researched and recorded by John Cribbs, the commentary examines everything from the mythology of animism to the interesting connections between the film and the life of Cornell Woolrich, whose novella of the same name inspired the movie. The Pink Smoke site:
 www.thepinksmoke.com Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke on Twitter: 
twitter.com/thepinksmoke John Cribbs on Twitter: 
twitter.com/TheLastMachine Christopher Funderburg on Twitter:
 twitter.com/CFunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

On this episode hosts John Cribbs & Christopher Funderburg are joined by filmmaker & historian Bill Teck to discuss their shared love of Philip Kaufman’s cult classic The Wanderers - a coming-of-age comedy about teenage gangs in the Bronx in 1963. The conversation explores the film’s singular tone, how Kaufman remained an outsider even among the New Hollywood mavericks of the 70’s, and the ways in which The Wanderers resembles an American Fellini movie. It’s free-flowing conversation about a film that brings the trio joy while provoking them to grapple with issues of consequence - the film itself is a serious goof, a heavy comedy, a brutal lark and a true cult phenomenon in an era when such films are increasingly rare. Get your baseball bat & satin jacket, we’re headed into Ducky Boy country… The Pink Smoke site:
 www.thepinksmoke.com Support our Patreon:
 www.patreon.com/thepinksmoke Bill Teck: https://twitter.com/billteck The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter: 
twitter.com/TheLastMachine Christopher Funderburg on Twitter: 
twitter.com/CFunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

With the tedious inevitability of an unloved season, host John Cribbs returns with special guest John Arminio to continue their decades-spanning reappraisal of the James Bond franchise one film at a time. That means moving from the mud clone/gorilla transforming/Sausage King madness of Diamonds Are Forever into the Roger Moore era that took cinema's favorite secret agent from Bond... to beyond. Whether playing hopscotch on the heads of 'gators, corkscrewing a Hornet 'cross a ravine, escaping enemies via free-fall with and without parachute, the extremes of 70's Bond ensured that even as the Cold War got colder, nobody did it better! Cribbs & Arminio examine every eye-popping stunt and shameless one-liner of this remarkable period of the series that sent its hero to an oil rig in Baja, a funhouse in Thailand, deep underwater and into outer space. The Pink Smoke site:
 www.thepinksmoke.com Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke on Twitter: 
twitter.com/thepinksmoke John Cribbs on Twitter: 
twitter.com/TheLastMachine Christopher Funderburg on Twitter: 
twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

For what would’ve been the filmmaker’s 75th birthday, hosts John Cribbs and Christopher Funderburg are joined by editor/producer Eric Pfriender to discuss the work of Rainer Werner Fassbinder. They’ve each picked a film to discuss from the notoriously volatile director, a Triple Feature of Fassbinder’s work that serves as a jumping off point for exploring the legendarily prolific filmmaker’s philosophies and obsessions. In Love is Colder than Death, The Merchant of Four Seasons, and In a Year of 13 Moons, we can see the themes that would repeat and repeat themselves throughout his career: the disappointments of romantic love, the instability of identity (specifically sexual identity), the stresses and miseries of domestic life, the ironic way in which unhappy people can be both victims of fate and injustice while at the same time being the source of their own problems. The Pink Smoke site:
 www.thepinksmoke.com Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter:
 twitter.com/TheLastMachine Christopher Funderburg on Twitter: 
twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

A remembrance of Stuart Gordon, who passed away earlier this week. Gordon is one of the Patron Saints of The Pink Smoke, a fearless, risk-taking artist who refused to be confined to any particular corner of genre filmmaking. This episode covers the essential viewing in Gordon’s filmography, the films that resonated on a personal level with the hosts & the wildcards in an unpredictable career lined under-appreciated detours into weirdness. Gordon will be missed, especially by us. The Pink Smoke site: www.thepinksmoke.com Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

On this episode of The Pink Smoke podcast, we dig into Charles Portis’ classic Western, True Grit. Portis is a favorite author of hosts Christopher Funderburg & John Cribbs, a sui generis talent whose oddball humor & low-key weirdness defied easy categorization. The discussion focuses, naturally, on the how the novel defines “true grit” in a moral context: the line separating “righteousness” from “goodness” - but mainly the hosts marvel over the novel’s marvelous language, sharp characterization, narrative ease and general genius. The Pink Smoke site:
 www.thepinksmoke.com Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter:
 twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

“The artist alone is the final judge of his work.” Hosts John Cribbs & Christopher Funderburg discuss Charles Willeford's twisty thriller set in the hip, commercialized art world of Miami in the early 70's. It's a funny, cynical and self-critical book about the relationship between artists and critics, but at the same time a typically outrageous & unpredictable work of Willeford pulp crime fiction. Join them as they discuss one of their favorite novels from one of their favorite authors. The Pink Smoke site: www.thepinksmoke.com/ Patreon: https://www.patreon.com/thepinksmoke The Pink Smoke on Twitter: https://twitter.com/thepinksmoke John Cribbs on Twitter: https://twitter.com/TheLastMachine Christopher Funderburg on Twitter: https://twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

Hosts John Cribbs & Christopher Funderburg discuss the upcoming reprint of Donald E. Westlake’s Enough, a pair of novellas that have been given the much more appropriate title Double Feature in conjunction with the re-release. The two works, A Travesty and Ordo, have been out of print for nearly 40 years despite ranking among Westlake’s very best work. The breathless episode touches on everything from the history of Los Angeles as depicted in crime literature, the technicalities of locked room mysteries, the relationship of Westlake’s work to that of Charles Willeford as well as the strange moments when pulp fiction seems to transcend the pulp genre and transform into legit literature. Special Thanks to Hard Case Crime! order the book here: https://www.amazon.com/dp/B07RL8THY7 The Pink Smoke site: www.thepinksmoke.com Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

The Decade of Horror I: https://soundcloud.com/user-564624820/the-decade-of-horror-i The Decade of Horror II: https://soundcloud.com/user-564624820/the-decade-of-horror-ii What are your favorite horror films from the last 10 years? The third and final part of our epic Best Horror of the Decade series begins with Hellbent for Horror's S.A. Bradley sharing his love for one of the great under-appreciated horror films of the last 10 years. Christopher Funderburg chimes in with one of the most artful horror movies from the last decade and John Cribbs cautions to think twice before angering the Gods. Mr. Bradley and our hosts sound off on some other great horror films from lists contributed by such notable horror filmmakers, writers and experts including freelancer writer Anya Stanley, horror film director and illustrator Patrick Horvath, horror watchdog Tim Lucas and writer-artist Tenebrous Kate. The Pink Smoke site: www.thepinksmoke.com/ Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

The Decade of Horror I: https://soundcloud.com/user-564624820/the-decade-of-horror-i The Decade of Horror III: https://soundcloud.com/user-564624820/the-decade-of-horror-iii What are your favorite horror films from the last 10 years? Continuing from Part One of our Best Horror of the Decade series, Christopher Funderburg talks about his favorite tropical fish salesman/serial killer movie, S.A. Bradley of Hellbent for Horror gets starry eyed over a certain hellacious L.A.-set tale of a woman's breakdown and John Cribbs reveals the latest addition to his list of classic "malevolent parasites urging their hosts to commit murder" flicks. In between, they talk about the favorite 2010's horror movies from lists provided by such horror cinema alumni as the prolific genre-defining author Joe R. Lansdale, horror film producer Heather Buckley and producers of the monumental horror documentary Horror Noire, Tananarive Due and Ashlee Blackwell. The Pink Smoke site: www.thepinksmoke.com/ Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

The Decade of Horror II: https://soundcloud.com/user-564624820/the-decade-of-horror-ii The Decade of Horror III: https://soundcloud.com/user-564624820/the-decade-of-horror-iii What are your favorite horror films from the last 10 years? Hosts Christopher Funderburg & John Cribbs are joined by S.A. Bradley, host of Hellbent for Horror and author of the Rondo Award-nominated Screaming for Pleasure, to examine the Best Horror of the Decade by each sharing his respective list of 5 exceptional horror movies released between 2010 and 2019. As a bonus, the Pink Smoke reached out to writers, producers and experts of the genre to contribute their own Top 5 favorites. In Part One of this three-part series they discuss trends in the decade in horror, reveal the first of their own picks and dig into the selections of guest contributors such as legendary horror author Kathe Koja, filmmaker Mattie Do, Bram Stoker Award-winning author Grady Hendrix and iconic horror star Tristan Risk. The Pink Smoke site: www.thepinksmoke.com/ Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

Hosts John Cribbs & Christopher Funderburg are joined by a fresh-outta-the-hospital Marcus Pinn to discuss their impending trip to the 2019 iteration of the Toronto International Film Festival. They run down the highlights of the schedule, the films they're most excited for, most curious about & dreading having to sit through.

What is The Pink Smoke Podcast? The Pink Smoke podcast is normally hidden behind an unforgiving Patreon paywall, so this "open to the public" episode intends to introduce the show to those who can't otherwise hear it. It'll answer all your pressing concerns: Why the Patreon paywall? How many episodes are there a month? What kind of subjects does it cover? Why is there something instead of nothing? Hosts John Cribbs & Christopher Funderburg answer these questions and then dive into something considerably less drrrryyyyyy: what film/books/albums do they need to survive? The question isn't "what are their favorite artworks?" but "what art do they need just to get through the day and continue on with their existence?" Funderburg & Cribbs each pick six artworks for their "Survival Kit," the answers range from an 18th century picaresque to a 20th century cartoon short - they discuss novels, films, albums and why neither could pick a painting or sculpture for their kit. Join us and get to know The Pink Smoke podcast. It rates highly amongst talking dogs in Jim Thompson novels and old Qfwfq. Visit The Pink Smoke site: thepinksmoke.com/ Follow us on Twitter: twitter.com/TheLastMachine twitter.com/thepinksmoke twitter.com/CFunderburg Intro/Outro music by Marcus Pinn (of Pinnland Empire): twitter.com/PINNLAND_EMPIRE

Marcus Pinn joins hosts Christopher Funderburg & John Cribbs to discuss their impending trip to the Toronto International Film Festival. In this preview of the festival's slate, each one of the trio picks a few must-see films, a film they're dreading & a pair of wildcards. We cover Claire Denis, Mike Leigh, Jean-Luc Godard & scan the festival's spectrum from its murky lowlights to its shimmeringly beacon-y highlights. Intro & outro music by Mr. Pinn himself, international scratch battle champion, man's man, ladies' man & man-about-town.

On this episode, we're joined by the great film critic Vern (making his first ever podcast appearance!) to discuss Eli Roth's Death Wish. Join the Pink Smoke community and get every episode of The Pink Smoke podcast: https://www.patreon.com/thepinksmoke Support Outlaw Vern on Patreon: https://www.patreon.com/outlawvern Read Outlaw Vern: http://outlawvern.com/2008/02/23/death-wish/ Read The Pink Smoke: http://thepinksmoke.com/ PSP theme music by Marcus Pinn.

Join our Patreon community & get access to EVERY EPISODE of the Pink Smoke Podcast!! https://www.patreon.com/thepinksmoke This conversation with Winchester (2018) co-screenwriter Tom Vaughan is the first episode of the Pink Smoke Podcast not restricted to Patreon subscribers - get a taste of what you're missing out on! The free-flowing discussion touches on everything from how it feels to hear words you've written coming out of Helen Mirren's mouth to the Kindertrauma website to the nature of matter & its antecedents! The Pink Smoke site: http://www.thepinksmoke.com/ The Pink Smoke on Twitter: https://twitter.com/thepinksmoke Tom Vaughan on Twitter: https://twitter.com/tomvaughan The fine folks at Kindertrauma: https://www.kindertrauma.com/ Theme music, as always, by Marcus Pinn of Pinnland Empire.